Abstract
Fleur Adcock was born and spent her first five years in New Zealand, but her family moved to England in 1939 and spent the war years there. She has written that her father “seems to have no concept of ‘home’”1 so that they moved around obsessively and in “seven and a half years I attended eleven English schools, with a New Zealand one at each end to make it thirteen” (R.B., 5). Moving back to New Zealand in 1947
I lost my much derided English accent and, after a time, some of my sense of cultural displacement. I learned to live with an almost permanent sense of free floating, unfocused nostalgia, and with the combination of crushed humility and confident arrogance that comes from not quite belonging. It is no bad thing to be an outsider, if one wants to see places and events clearly enough to write about them. At any rate an outsider seemed to be what, after so much practice at it, I had become.
(R.B., 12)
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Notes
Fleur Adcock, “Rural Blitz: Fleur Adcock’s English Childhood”, Poetry Review, 1984, 74 (2), June, 4. (This autobiographical piece henceforth RB). In a letter to me dated 8th March 1992, Reur Adcock writes: “the title ‘Rural Blitz’ was given to my autobiographical piece by the then editors of Poetry Review, Mick Imlah and Tracey Warr. I was rather annoyed; it seemed too glib and clever-clever. My own title for the piece was “My English Childhood”, with the stress on English; I wanted to make it clear that my childhood did not take place in New Zealand, as people in both countries still seem to assume.”
Fleur Adcock’s introduction to her work in The Bloodaxe Book of Contemporary Women Poets ed. Jeni Couzyn (Bloodaxe Books, Newcastle Upon Tyne, 1985) 202. This book henceforth CWP.
Fleur Adcock, Selected Poems (Oxford University Press, Oxford, 1983) 93–94. Unless otherwise stated, all page numbers in the text refer to this volume.
Reur Adcock, Time Zones (Oxford University Press, Oxford, 1991) 4–5. This volume henceforth TZ.
Reur Adcock, The Incident Book (Oxford University Press, Oxford, 1986) 52. This volume henceforth IB.
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© 1996 Ian Gregson
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Gregson, I. (1996). “Your Voice Speaking in my Poems”: Polyphony in Fleur Adcock. In: Contemporary Poetry and Postmodernism. Palgrave Macmillan, London. https://doi.org/10.1057/9780230379145_5
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