Abstract
The development of a ‘postcolonial’ mode of discourse as a direct derivative of postmodernist theories of knowledge and culture creates a historic crisis for the study of decolonization literatures — those literatures created to combat European colonialism in the past and neocolonialism in the present — by subverting its purpose with a universalist, homogenizing discourse that denies the very essence of the subject matter of the study. Many major exponents of the term ‘postcolonial discourse’ justify the use of the concept on such grounds as:
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(i)
the need to liberate the discourse from the hegemonic connotations and neocolonialist entanglements of such terms as ‘Commonwealth literature’, ‘New English Literatures’, ‘New Literatures in English’, or ‘Third World Literature’;
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(ii)
the advantage of a field of intellectual inquiry that embraces all europhone writing from formerly colonized peoples, rather than merely anglophone writing;
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(iii)
the need to end the marginalization of the literatures and cultures of the vast majority of the worlds’ peoples who have hitherto been subordinated to Europe, the imperial centre, and to strengthen the oppositional role of the majority’s discourse; and
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(iv)
the empowerment of those marginalized peoples and cultures by asserting the validity of their historical experience, cultural products, and world views in opposition to the universalist claims of imperial Europe.
we black Africans have been blandly invited to submit ourselves to a second epoch of colonisation — this time by a universal-humanoid abstraction defined and conducted by individuals whose theories and prescriptions are derived from the apprehension of their world and their history, their social neuroses and their value systems. It is time, clearly, to respond to this new threat, each in his own field.1
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Notes
Wole Soyinka, Myth, Literature and the African World (Cambridge: Cambridge University Press, 1976), p. x.
Bill Ashcroft, Gareth Griffiths and Helen Tiffin, The Empire Writes Back: Theory and Practice in Post-Colonial Literatures (London and New York: Routledge, 1989), p. 2.
Edward Sapir, quoted in Roger Fowler, Linguistic Criticism (Oxford: Oxford University Press, 1986), p. 18.
Edward W. Said, Culture & Imperialism (London and New York: Routledge, 1993), p. 12.
See for example Elleke Boehmer, Colonial & Postcolonial Literature (Oxford: Oxford University Press, 1995), pp. 74 - 8.
Bill Pearson, ‘Attitudes to the Maori in Some Pakeha Fiction,’ in Fretful Sleepers and Other Essays (London: Heinemann, 1974), pp. 54 and 55.
See also Bill Pearson, Rifled Sanctuaries: Some Views of the Pacific Islands in Western Literature to 1900 (Auckland: Auckland University Press and Oxford University Press, 1984).
Oodgeroo Noonaccal, Interview with Anna Rutherford, in Anna Rutherford, Lars Jensen and Shirley Chew, eds, Into the Nineties: Post-Colonial Women’s Writing (Armidale, New South Wales: Dangaroo Press, 1994), p. 6.
Chinua Achebe, ‘An Image of Africa: Racism in Conrad’s Heart of Darkness’, reprinted in Hopes and Impediments: Selected Essays 1965–1987 (London: Heinemann, 1988), pp. 1–13 (8).
Terry Collits, ‘Theorising Racism’, in Chris Tiffin and Alan Lawson, eds, De-Scribing Empire: Post-colonialism and Textuality (London and New York: Routledge, 1994), pp. 61-9 (67).
Oliver Bennett, ‘Evolution of Man: Female Circumcision’, RX: the Sunday Telegraph Magazine (22 June 1997), 36.
See Stanley K. Henshaw and Jennifer Van Vort, ‘Abortion Services in the United States, 1991 and 1992’, Family Planning Perspectives, Vol. 26 (May/June 1994), 101.
Alison Donnell, ‘Writing for Resistance: Nationalism and Narratives of Liberation,’ in Joan Anim-Addo, ed. Framing the Word: Gender and Genre in Caribbean Women’s Writing, (London: Whiting and Birch, 1996), pp. 28-36 (28).
Katherine Frank, ‘Women without Men: the Feminist Novel in Africa’, African Literature Today, No. 15 (1987), 14-34 (16).
Anne McClintock, Imperial Leather: Race, Gender and Sexuality in the Colonial Contest (New York and London: Routledge, 1995), p. 254.
Mineke Schipper, ‘Mother Africa on a Pedestal: the Male Heritage in African Literature and Criticism’, African Literature Today, No. 15 (1987), 35-54 (35).
Florence Stratton, Contemporary African Literature and the Politics of Gender (London and New York: Routledge, 1994).
Amos Tutuola, The Palm-Wine Drinkard (London: Faber and Faber, 1952), pp. 17, 25 and 59.
James Olney, Tell Me Africa: an Approach to African Literature (Princeton, New Jersey: Princeton University Press, 1973), p. 167.
Chinua Achebe, ‘The Education of a “British Protected” Child’, Cambridge Review, Vol. 114, No. 2321 (June 1993), 51–7 (53).
Toni Morrison, The Bluest Eye (London: Pan Books, 1990), pp. 94 - 5.
Michel Foucault, ‘What Is an Author?’ in David Lodge, ed., Modern Criticism and Theory (Harlow, Essex: Longman, 1988), pp. 196-210 (209).
Linda Hutcheon, A Poetics of Postmodernism: History, Theory, Fiction (London and New York: Routledge, 1988), p. 55.
Dominic Strinati, An Introduction to Theories of Popular Culture (London and New York: Routledge, 1995), p. 242.
Jean-François Lyotard, The Postmodern Condition: a Report on Knowledge, trans. Geoff Bennington and Brian Massumi (Manchester: Manchester University Press, 1984), p. xxiii.
Gayatri Spivak, ‘Reflections on Cultural Studies in the Post-Colonial Conjuncture,’ Critical Studies, Vol. 3, No. 1 (1991), 64-78 (65).
Ketu H. Katrak, ‘Decolonizing Culture: Toward a Theory for Postcolonial Women’s Texts’, Modern Fiction Studies, Vol. 35, No. 1 (Spring 1989), 157 - 79.
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© 1999 Chidi Okonkwo
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Okonkwo, C. (1999). Crisis and Politics in Postcolonial Discourse. In: Decolonization Agonistics in Postcolonial Fiction. Palgrave Macmillan, London. https://doi.org/10.1057/9780230375314_1
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DOI: https://doi.org/10.1057/9780230375314_1
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