Abstract
Morocco was the first nation in the Maghreb to free itself from colonial domination. Under the leadership of King Mohammed V, Morocco became nominally independent of France at the beginning of 1956 and officially independent on 2 March. These developments in Morocco were echoed soon after in Tunisia, bringing to a successful conclusion the process of gradual withdrawal initiated by French President Pierre Mendes France several years before. Tunisian independence was proclaimed on 20 March 1956, with Habib Bourguiba designated both as president of the “National Constituent Assembly”, and Prime Minister. On 25 July 1957, the Republic was declared, abolishing henceforth the monarchy and empowering Bourguiba as President of the Republic. While strengthening the independence of the country and setting in motion the long process of development, during 1956–64 Bourguiba established the institutions and legislation which made Tunisia an emerging modern nation. Algerian independence was unhappily not so easily managed, Algeria being considered by many, both there and in France, not as a colony but as an integral part of France. Only after a long, bitter, and bloody conflict, lasting from 1954 until 1962, was Algeria able to join its neighbors Morocco and Tunisia as a fully independent state.
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Notes
Ali Ben Ayad, in Mahmoud Al-Majri (ed.), Min Shawaghili at-taassisi lil masrahi attunusiy (Questions of the Formation of Tunisian Theatre) (Tunis: Jaridat Al-Huriya Publications, Book Series No. 11, 2009), 65.
Hafedh Djedidi writes: “La troupe devient ainsi un creuset d’artistes et une nouvelle école théâtrale qui va se distinguer par un traitement intelligent du patrimoine arabo-musulman en vue de disséquer le quotidien social et politique de l’époque,” Le Théâtre Tunisien dans tous ses Etats (Hammam-Sousse: Editions Dar El-Mizen, 2003), 21.
Will D. Swearingen, Moroccan Mirages: Agrarian Dreams and Deceptions, 1912–1986 (London: I. B. Tauris, 1988), 186.
Mohammed Kaghat, Binyat At-Taelif Al-masrahi mina Al-Bidaya ila Attamaninat (Casablanca: Dar Thaqafa, 1986), 53.
Pierre Lucas, “Réalisation et Perspectives du C.A.D.,” in Arts et Culture, revue de la division de la Jeunesse et des sports (Rabat, 1960), 10.
Tayeb Saddiki, in Ahmed Farhat, Aswat Taqafia mina al-Magreb al-Arabiy (Beirut: A-ddar Al-Alamia, 1984), 55.
Hassan Mniai, Al-masrah al-magrebiy mina t-tasisi ila sima-at al-furja (Moroccan Theatre from Construction to the Making of Spectacle) (Fez: University Sidi Mohammed Ben Abellah Publications, 1994), 10.
Tayeb Saddiki, Diwan Sidi Abderrahman Al-Majdub (Rabat: Stouki, 1979), 64.
Kamel Bendimered, “Ould Abderrahmane Kaki, Le Pionnier du théâtre ihtifal,” Djazir 3 (Algiers, 2003), 30.
Wadi Bouzar, La Culture en question (Algiers: Silex-SNED, 1982), quoted in ibid., 45.
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© 2012 Khalid Amine & Marvin Carlson
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Amine, K., Carlson, M. (2012). The Early Theatres of Independence, 1956–1970. In: The Theatres of Morocco, Algeria and Tunisia. Studies in International Performance. Palgrave Macmillan, London. https://doi.org/10.1057/9780230358515_13
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DOI: https://doi.org/10.1057/9780230358515_13
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