Abstract
Critics have suggested that as the twentieth century unfolded the novel form begin to encode a ‘powerful valorization of work, a commitment to the importance of labour’ (Klaus and Knight, 2000: 3), and this structure of feeling is present even in negative depictions of work, as in the context of unemployment, a condition found in writing from the 1930s and, more recently, the 1980s. But representations of work and workers have never been restricted to literature; indeed literary fiction in Britain during the course of the twentieth century rarely engaged with the everyday lives of the working class, hence George Orwell’s view that ‘if you look for the working class in fiction, espedaily in English fiction, all you find is a hole’. Despite Orwell’s view, it is the case that ‘parables’ of labour, of work, have found articulation in cultural production, and this articulation has often been most pronounced at moments of perceived change. Examining narratives from the twentieth century to the present considers the ‘valorization’ of work; however, we focus not only on the novel, concentrating instead on other discursive practices that provide ‘parables’ of labour.
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Notes
‘Rugged individualism’ also attempts for Savage to capture the ‘I’m alright Jack’ individualism that purportedly complemented a kind of working-class machismo marking a newly confident shop-floor belligerence of the post-war years. Other such representations emerge in novels and films like John Braine’s Room at the Top (1957)
David Storey’s This Sporting Life (1960)
and Stan Barstow’s A Kind of Loving (1960).
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© 2011 John Kirk and Christine Wall
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Kirk, J., Wall, C. (2011). Narratives of Labour and Labour Lost: Working Life and Its Representations. In: Work and Identity. Identity Studies in the Social Sciences. Palgrave Macmillan, London. https://doi.org/10.1057/9780230305625_3
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DOI: https://doi.org/10.1057/9780230305625_3
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-36871-6
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