Skip to main content

Maoist Performativities: Milton Acorn and the Canadian Liberation Movement

  • Chapter
Avant-Garde Performance and Material Exchange

Part of the book series: Performance Interventions ((PIPI))

  • 144 Accesses

Abstract

If we Canadians, following the programme advocated by many, but most clearly by the Canadian Liberation Movement, seized the foreign-owned industries in our territory – and if the principal foreign owner, the American Empire, launched military operations against us – what are the odds? Would we win? … A people armed with a modern Marxist-Leninist ideology is invincible in a defensive war.1

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  • Milton Acorn, More Poems for People (Toronto: New Canada Press, 1972, 10).

    Google Scholar 

  • Desmond Morton, The New Democrats, 1961–1986 (Toronto: Copp Clark Pitman, 1986), 92.

    Google Scholar 

  • Mao Tse-Tung, Quotations from Chairman Mao Tse-Tung (New York: Bantam Books, 1967).

    Google Scholar 

  • Hardial Bains, Six Years of CPC (M-L): A Great Revolutionary Movement Against Revisionism and for Proletarian Revolution (Toronto: Norman Bethune Institute, 1976), 8.

    Google Scholar 

  • William Kashtan, “The Federal Election – What Next?” in Toward Socialism: Selected Writings (Toronto: Progress Books, 1976), 232.

    Google Scholar 

  • Terry Barker, “Origins of the CLM by Terry Barker; Reconstructed from remarks by Phil Taylor, July 7, 1984,” Canadian Liberation Movement Fonds, William Ready Division of Archives and Research Collections (McMaster University Library, Hamilton, Ontario), 1.

    Google Scholar 

  • Barry Lord, The History of Painting in Canada: Towards a People’s Art (Toronto: New Canada Press, 1974).

    Google Scholar 

  • Milton Acorn, I’ve Tasted My Blood (Toronto: Ryerson Press, 1969).

    Google Scholar 

  • Terry Barker, After Acorn: Meditations on the Message of Canada’s People’s Poet (Hamilton, Ontario: Mekler & Deahl, 1999), 18.

    Google Scholar 

  • Milton Acorn and Cedric Smith, The Road to Charlottetown (Hamilton, Ontario: Mekler & Deahl, 1998), 68.

    Google Scholar 

  • On the creation of consensus through actor performances, see Robert Nunn, “The Meeting of Actuality and Theatricality in The Farm Show,” Canadian Drama 8.1 (1982): 43–54;

    Google Scholar 

  • Alan Filewod, Collective Encounters: Documentary Theatre in English Canada (Toronto: University of Toronto Press, 1987), 24–49.

    Google Scholar 

Download references

Authors

Editor information

Editors and Affiliations

Copyright information

© 2011 Alan Filewod

About this chapter

Cite this chapter

Filewod, A. (2011). Maoist Performativities: Milton Acorn and the Canadian Liberation Movement. In: Sell, M. (eds) Avant-Garde Performance and Material Exchange. Performance Interventions. Palgrave Macmillan, London. https://doi.org/10.1057/9780230298941_9

Download citation

Publish with us

Policies and ethics