Abstract
Studying the role of broadcasting in the making of Europe can help to emphasize technology’s role as central actor in the story of Europe’s hidden integration, and — here’s the other side of the story — its fragmentation. This chapter aims to study the history of Europe by starting with the idea that broadcast communication was the most powerful and influential means for both national and transnational communication in the twentieth century. The central objective is to problematize Europe as a broadcasting space by describing and analysing European radio and television broadcasts originating from the International Broadcasting Union and the European Broadcasting Union and by questioning their specific contribution to the medial construction of European and international communication spaces in constantly changing political and cultural environments. In retracing both sound and audiovisual broadcast transmissions in the 1920s, 1930s and 1950s we will link the development of different broadcast technologies (radio and television) to visions of European broadcasting spaces and their role in the continuous reinvention of Europe or re-imagination of European identities. Starting with an a priori geographical definition of Europe is futile given the need to embed the discursive construction of ‘Europe’ into changing material, legal and institutional maps. Here again, the very nature of broadcasting as a transnational or transborder phenomenon with its inevitable spillover effects challenges the classic ways of mapping Europe.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
Notes
Hubert Knoblauch, ‘Das strategische Ritual der kollektiven Einsamkeit. Zur Begrifflichkeit und Theorie des Events’ in Winfried Gebhardt, Ronald Hitzler and Michaela Pfadenhauer (eds) Events. Soziologie des Auβergewöhnlichen (Opladen 2000), pp. 33–50.
Daniel Dayan and Elihu Katz, Media Events. The Live Broadcasting of History (London/Cambridge: Harvard University Press 1992), p. 1.
Sun Wanning, ‘Media events or media stories?’, International Journal of Cultural Studies 4(1) (2001), pp. 25–44.
Nick Couldry, Media Rituals. A Critical Approach (London/New York: Routledge 2003), pp. 56–8.
A. Huth, La Radiodiffusion: Puissance Mondiale (Paris 1937), pp. 39–41
T.I. Williams, A history of technology Vol. VII: The Twentieth Century c.1900 to c.1950 Part II (Oxford: Oxford University Press 1978), p. 1255.
IBU, Twenty years of activity of the International Broadcasting Union (Geneva 1945), p. 12.
For a discussion of the enduring importance of Sunday radio listening traditions in Germany, see: A.W. Badenoch, ‘Making Sunday what it actually should be: Sunday radio programming and the re-invention of tradition in occupied Germany, 1945–1949,’ Historical Journal of Film, Radio and Television 25(4) (October 2005), pp. 583–6.
Léonard Laborie and Suzanne Lommers, ‘Les concerts européens à la radio dans l’entre-deux-guerres. Mise en onde d’une métaphore diplomatique’, Le Temps des Médias 11 (2008), pp. 110–25.
See George A. Codding, The International Telecommunication Union: an Experiment in International Cooperation (Geneva 1952) (dissertation).
Wolfgang Degenhardt and Elisabeth Strautz, Auf der Suche nach dem europäischen Programm. Die Eurovision1954–1970 (Baden-Baden: Nomos 1999), p. 27.
The unclear legal statute of RTF as a public service institution entailed serious financial problems hindering a determined expansion of a nationwide television infrastructure. In comparison with other European countries, the dynamics of television development in France were significantly slower than in other television nations. See Jerome Bourdon, Haute Fidélité. Pouvoir et television 1935–1994 (Paris 1994).
Jon McLin, ‘Eurovision. A modest example of successful European co-operation’, Fieldstaff Reports, West Europe Series IV(2) (1969), p. 4.
Christian Henrich-Franke, ‘Organisationskultur in den internationalen Beziehungen: Anknüpfungspunkt für einen interdisziplinären Dialog?’, Geschichte und Gesellschaft 3 (2006), pp. 344–63
Léonard Laborie, La France, l’Europe et l’ordre internationale des communications (1865–1959), unpublished PhD thesis, University of Paris IV (Sorbonne) (Paris 2006).
Marcel Bezençon, ‘Eurovision, or the price of fame’, EBU-Review B 85 (1964), p. 8.
Editor information
Editors and Affiliations
Copyright information
© 2010 Andreas Fickers and Suzanne Lommers
About this chapter
Cite this chapter
Fickers, A., Lommers, S. (2010). Eventing Europe: Broadcasting and the Mediated Performances of Europe. In: Badenoch, A., Fickers, A. (eds) Materializing Europe. Palgrave Macmillan, London. https://doi.org/10.1057/9780230292314_14
Download citation
DOI: https://doi.org/10.1057/9780230292314_14
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-31313-6
Online ISBN: 978-0-230-29231-4
eBook Packages: Palgrave History CollectionHistory (R0)