Abstract
We are attempting to map the stage in our passage out of Eden that consists in the development or discovery of self. To that end we must first establish what the self is, and we do that by looking at how we employ the word “I.” From observation, we learn that the thing we assume we speak of when we say or think “I” is a strange conglomerate. It is in part a person—a living biological entity of a certain genus and species—and in part a grammatical fiction. It should be emphasized that it is the I, and not the person, that is in part fictional; people—the social animals we see about us—are, in contrast, as real as it gets.
God creates the animals; man creates himself.
Lichtenberg
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Notes
There is a large literature on the idea of the narrative self. For an excellent overview, see Elinor Ochs and Lisa Capps, “Narrating the self.” In Annual Review of Anthropology, 25, 1996, pp. 19–43.
Stendhal, Red and Black, trans. Robert M. Adams. New York: W.W. Norten, 1969, p. 230.
J. Canfield, The Looking-Glass Self. New York: Praeger, 1990, pp. 185
Blofeld, John, trans., The Zen Teachings of Huang Po. New York: Growe Press, 1958, p. 88.
Quoted by Gordon A. craig in “The Goblin at War.” New York Review of Books, 50, no. 19, December 4, 2003, p. 52.
Quine, Willard Van Orman. “On what there is.” In From A Logical Point of View. Cambridge, Massachusetts: Harvard University Press, 1953.
Stendhal The Charterhouse of Parma, trans. C.K. Scott Moncrieff. New York: Doubleday and Company, 1956, p. 55.
Lichtenberg, Georg Christoph. Lichtenberg: Aphorisms & Letters, trans. and ed. Franz Mautner and Henry Hatfield. London: Johnathan Cape, 1969, p. 35.
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© 2007 John V. Canfield
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Canfield, J.V. (2007). The Further Adventures of Nobody. In: Becoming Human. Palgrave Macmillan, London. https://doi.org/10.1057/9780230288225_7
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DOI: https://doi.org/10.1057/9780230288225_7
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