Abstract
This is an examination of the performative aspects of the Semi-Living (and objects of Partial Live) grown by the Tissue Culture & Art Project (TC&A). The TC&A, among a growing number of artists and collectives, is involved with the presentation of manipulated living systems in an artistic context. In contrast with art that deals with the representation of life through established artistic strategies, TC&A’s type of engagement with living systems generate an experience which is closer to live/performance art. The phenomenological experience of the audience (as well as the artists) is of major importance for the TC&A. In much of TC&A’s work the audience are ‘forced’ to actively participate in or be implicated with the alteration of the life cycle of problematised, technologically dependent fragments of life.
Keywords
- Living System
- National Gallery
- Performative Aspect
- Collier Book
- Sterile Hood
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
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References
Catts, O. and I. Zurr. ‘Growing Semi-Living Sculptures’, Leonardo 35:4. Massachusetts: MIT Publishing, 2002: 365–370.
Huxley, J. ‘The Tissue Culture King’ in Great Science Fiction by Scientists, ed. Groff Conklin. New York: Collier Books, 1962: 158–159.
Virilio, P. Art and Fear. Translated by Julie Rose. London and New York: Continuum, 2003.
White, P.R. The Cultivation of Animal and Plant Cells. NewYork: Ronald Press, 1954.
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© 2006 Oron Catts and Ionat Zurr
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Catts, O., Zurr, I. (2006). The Tissue Culture and Art Project: The Semi-Living as Agents of Irony. In: Broadhurst, S., Machon, J. (eds) Performance and Technology. Palgrave Macmillan, London. https://doi.org/10.1057/9780230288157_12
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DOI: https://doi.org/10.1057/9780230288157_12
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-0-230-29365-6
Online ISBN: 978-0-230-28815-7
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