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The Tissue Culture and Art Project: The Semi-Living as Agents of Irony

  • Oron Catts
  • Ionat Zurr

Abstract

This is an examination of the performative aspects of the Semi-Living (and objects of Partial Live) grown by the Tissue Culture & Art Project (TC&A). The TC&A, among a growing number of artists and collectives, is involved with the presentation of manipulated living systems in an artistic context. In contrast with art that deals with the representation of life through established artistic strategies, TC&A’s type of engagement with living systems generate an experience which is closer to live/performance art. The phenomenological experience of the audience (as well as the artists) is of major importance for the TC&A. In much of TC&A’s work the audience are ‘forced’ to actively participate in or be implicated with the alteration of the life cycle of problematised, technologically dependent fragments of life.

Keywords

Living System National Gallery Performative Aspect Collier Book Sterile Hood 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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References

  1. Catts, O. and I. Zurr. ‘Growing Semi-Living Sculptures’, Leonardo 35:4. Massachusetts: MIT Publishing, 2002: 365–370.CrossRefGoogle Scholar
  2. Huxley, J. ‘The Tissue Culture King’ in Great Science Fiction by Scientists, ed. Groff Conklin. New York: Collier Books, 1962: 158–159.Google Scholar
  3. Virilio, P. Art and Fear. Translated by Julie Rose. London and New York: Continuum, 2003.Google Scholar
  4. White, P.R. The Cultivation of Animal and Plant Cells. NewYork: Ronald Press, 1954.Google Scholar

Copyright information

© Oron Catts and Ionat Zurr 2006

Authors and Affiliations

  • Oron Catts
  • Ionat Zurr

There are no affiliations available

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