Abstract
Both Eugene Lee-Hamilton and his half-sister Vernon Lee were drawn to images of disinterment and discovery. In one of his earlier sonnets ‘Sunken Gold’, Lee-Hamilton pictures submerged treasure — ‘In dim green depths rot ingot-laden ships’ — a treasure which he compares, as he frequently does, with his own gifts and hopes wasted by the illness which afflicted him from 1873 to 1893 when he began his recovery:
So lie the wasted gifts, the long-lost hopes,
Beneath the now hushed surface of myself,
In lonelier depths than where the diver gropes.
They lie deep, deep; but I at times behold
In doubtful glimpses, on some reefy shelf,
The gleam of irrecoverable gold.
(Lee-Hamilton 1884, 131; 2002, 123)1
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Notes
Algernon Charles Swinburne, ‘Notes on Designs of the Old Masters at Florence’, first published in the Fortnightly Review in July 1868 and then reprinted in Essays and Studies, 314–57; 320.
See John Addington Symonds’s review in The Academy 27 (31 January 1885), 71, partly reprised in Symonds’s introduction to a selection of Lee-Hamilton’s poetry in The Poets and the Poetry of the Nineteenth Century, ed. Alfred H. Miles, 11 vols, 7: Robert Bridges and Contemporary Poets, 241–6.
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© 2006 Palgrave Macmillan, a division of Macmillan Publishers Limited
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Maxwell, C. (2006). Vernon Lee and Eugene Lee-Hamilton. In: Maxwell, C., Pulham, P. (eds) Vernon Lee. Palgrave Studies in Nineteenth-Century Writing and Culture. Palgrave Macmillan, London. https://doi.org/10.1057/9780230287525_2
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DOI: https://doi.org/10.1057/9780230287525_2
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