Skip to main content

The Death of the Spectacle in the mid-1930s

  • Chapter
Performing the Nation in Interwar Germany
  • 110 Accesses

Abstract

The mid-1930s were decisive years for the Nazi dictatorship as the regime had consolidated itself by this time. Resistance had been crushed while powerful organisations, including the army, the police force and the courts, had been brought under National Socialist control. Accompanied by open violence and terror, particularly in the first year and a half after Hitler’s seizure of power, the population had been given a taste of the consequences that awaited those who publicly disagreed with Nazi policy. However, by the mid-1930s some of the chaos, brutality and disorder people associated with the last years of the Weimar Republic and the early years of the Third Reich had died down. In fact, the National Socialists got credit for having brought under control much of the disorder and violence they were responsible for in the first place. The economic situation improved and many people remembered the mid-1930s as the beginning of ‘the good days’ of the Third Reich.1 Needless to say, these memories were not shared by groups and individuals the Nazis had classified as enemies to their alleged ‘people’s community’.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. Susan A. Manning, Ecstasy and the Demon. Feminism and Nationalism in the Dances of Mary Wigman (Berkeley, 1993 ), p. 194.

    Google Scholar 

  2. Katja Erdmann-Rajski, Gret Palucca. Tanz und Zeiterfahrung in Deutschland im 20. Jahrhundert (Hildesheim, 2000), p. 272.

    Google Scholar 

  3. Frank Manuel Peter (ed.), Der Tänzer Harald Kreutzberg (Köln, 1997), p. 5.

    Google Scholar 

  4. Patricia Stöckemann, ‘Tänzer ohne Widerspruch’, in Frank Manuel Peter (ed.), Der Tänzer Harald Kreutzberg (Köln, 1997 ), p. 126.

    Google Scholar 

  5. D. Günther, ‘Die Reigen der kleinen und grossen Mädchen’, in Olympische Jugend. Festspiel zur Aufführung im Olympia Stadion am 1.8.1936, p. 39.

    Google Scholar 

  6. Mischa Delbrouck, Verehrte Körper, verführte Körper. Die Olympischen Spiele der Neuzeit und die Tradition des Dionysischen (Tübingen, 2004), pp. 186–187.

    Google Scholar 

  7. Paula Diehl, ‘Körperbilder und Körperpraxen im Nationalsozialismus’, in Paula Diehl (ed.), Körper im Nationalsozialismus. Bilder und Praxen (München, 2006), pp. 9–30 (here p. 20).

    Google Scholar 

  8. Frank G. Becker, Deutsch die Saar, immerdar! Die Saarpropaganda des Bundes der Saarvereine 919–1935 (Saarbrücken, 2007 ), p. 334.

    Google Scholar 

Download references

Authors

Copyright information

© 2010 Nadine Rossol

About this chapter

Cite this chapter

Rossol, N. (2010). The Death of the Spectacle in the mid-1930s. In: Performing the Nation in Interwar Germany. Palgrave Macmillan, London. https://doi.org/10.1057/9780230274778_7

Download citation

  • DOI: https://doi.org/10.1057/9780230274778_7

  • Publisher Name: Palgrave Macmillan, London

  • Print ISBN: 978-1-349-30407-3

  • Online ISBN: 978-0-230-27477-8

  • eBook Packages: Palgrave History CollectionHistory (R0)

Publish with us

Policies and ethics