Abstract
Referring to the German borders presented on the sports field at the 1930 Rhine spectacle the Berliner Tageblatt wrote that ‘a bulwark of young bodies protects the Reich’.1 This description could have well been used to comment on festivities in the Nazi period which are frequently characterised as efforts striping away individual identities and creating an emotional, uniformed and militarised people’s community. Allegedly this manifested the principles of a totalitarian ideology.2 But as illustrated in previous chapters, the representation of the republic was influenced by ideas of community, occupying public space, territorial wholeness, mass experience and the creation of visual impressions, too. Some of these concepts apply to state representation in general. However, the explicit stress on community and mass involvement did not only distinguish the republic from the Kaiserreich but characterised the whole period from the mid-1920s to the mid-1930s.
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Notes
Andreas Dornheim, ‘Emotionalisierung, Uniformierung und Militarisierung. Nationalsozialistische Feiern in Leipzig’, in Katrin Keller (ed.), Feste und Feiern,1993. pp. 283–299 (here p. 299).
David Welch, The Third Reich. Politics and Propaganda (London, 1993), pp. 28–57.
Meinhold Lurz (ed.), Die Heidelberger Thingstätte. Die Thingbewegung im Dritten Reich: Kunst als Mittel politischer Propaganda (Heidelberg, 1975), p. 21.
Manfred Seifert, Kulturarbeit im Reichsarbeitsdienst. Theorie und Praxis nationalsozialistischer Kulturpflege im Kontext historisch -politischer, organisatorischer und ideologischer Einflüsse (Münster, 1996), pp. 298–308.
See Boguslaw Drewniack, Das Theater im NS Staat (Düsseldorf, 1983) and London (ed.), Theatre under the Nazis, see also Eichberg, Massenspiele, p. 158.
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© 2010 Nadine Rossol
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Rossol, N. (2010). Party Rallies and the Thingspiel in the Third Reich. In: Performing the Nation in Interwar Germany. Palgrave Macmillan, London. https://doi.org/10.1057/9780230274778_6
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DOI: https://doi.org/10.1057/9780230274778_6
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