Abstract
Bruce Gilchrist’s artworks are a sustained investigation of what psychologist William James termed, as cited above, ‘thought not yet articulate’. Gilchrist combines poetic strategies with customised brain imaging and biofeedback technologies to draw ‘texts’ from the mute body and to image and manifest these texts for audiences. His artworks journey in to the unconscious unlanguaged parts of consciousness, into prehension and preconsciousness.
Keywords
- Audience Member
- Brain Machine Interface
- Symbolize Sound
- Transitive Part
- Portable Laboratory
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
A good third of our psychic life consists in … rapid premonitory pre- spective views of schemes of thought not yet articulate.
(James, 1950: 253)
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References
Books, Articles, Websites
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Live Performances
Gilchrist, B. (1994). Ways of Asking for Reasons. Shale Heap, Cleveland. Part of EarthWire.
Gilchrist, B. (1995). Ways of Asking for Reasons. Belluard Bollwerk, Fribourg, Switzerland. Part of The Incident.
Gilchrist, B. (1996). The Discarnate. Centre for Contemporary Art, Glasgow.
Gilchrist, B. (1996). Transmutations. Zap Club, Brighton.
Gilchrist, B. (1998). The Discarnate. Centre for Contemporary Art, Vilnius, Lithuania. Part of Twilight/Sutemos.
Gilchrist, B. (1998). Sonic Bloom. Garcia de Orta Botanic Gardens, Lisbon, Portugal. Part of Expo ′98.
Gilchrist, B. and J. Bradley. (1996). Divided by Resistance. Institute of Contemporary Arts, London. Part of Totally Wired.
Gilchrist, B. and J. Bradley. (2000). Thought Conductor #2. Konserthus, Stavanger, Norway.
Gilchrist, B. and J. Bradley. (2001). Thought Conductor #2.1. Holywell Music Room, Oxford. Part of the OX1: Oscillations and Vibrations Festival.
Gilchrist, B., J. Bradley and J. Joelson. (1997). Thought Conductor #1, in Winter Music, The Place, London.
London Fieldworks. (1998). Gastarbyter, Institute of Contemporary Arts, London. (1999). Syzygy. Institute of Contemporary Arts, London.
London Fieldworks. (2002). Polaria. The Wapping Hydraulic Power Station, London.
London Fieldworks. (2005). Thought Pavilion, proposal.
London Fieldworks. (2006) Spacebaby. The Roundhouse, London. Part of Space Soon.
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© 2009 Tracey Warr
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Warr, T. (2009). Texts from the Body. In: Broadhurst, S., Machon, J. (eds) Sensualities/Textualities and Technologies. Palgrave Studies in Performance and Technology. Palgrave Macmillan, London. https://doi.org/10.1057/9780230248533_3
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DOI: https://doi.org/10.1057/9780230248533_3
Publisher Name: Palgrave Macmillan, London
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