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Graeae’s Jenny Sealey and Playwright Glyn Cannon: Seeing Words and (Dis)Comfort Zones — the Fusion of Bodies, Text and Technology in On Blindness

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(Syn)aesthetics
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Abstract

Josephine Machon: Graeae have an ethos of ‘multi-sensory theatre’. Jenny, could you explain what that means for you and what your approach to creating work is?

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© 2009 Josephine Machon

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Machon, J. (2009). Graeae’s Jenny Sealey and Playwright Glyn Cannon: Seeing Words and (Dis)Comfort Zones — the Fusion of Bodies, Text and Technology in On Blindness. In: (Syn)aesthetics. Palgrave Macmillan, London. https://doi.org/10.1057/9780230236950_12

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