Abstract
William Shakespeare was born into leather. Biographers have noted as much since 1821, the year in which Edmond Malone’s Life of William Shakspeare saw posthumous publication. The Life — which, on his deathbed a decade earlier, Malone had asked the younger Boswell to edit — was frankly revisionist in intent, and proceeded by identifying and correcting the errors of earlier scholars. Among those errors was the matter of Shakespeare’s father’s job. Whereas John Shakespeare had previously been identified as a butcher or a dealer in wool, Malone’s scrupulous research yielded no evidence to support either claim.1 Nor could the biographer at first shed any new light on the question, and his Life records that “after a very tedious and tiresome search” he “began to despair” of an advance — until, to his relief, he found in the Stratford archives a legal document from 1556 which “furnished me with the long-sought information, and ascertains that the trade of our great poet’s father was that of a glover.”2 Malone went on to explain what a profitable business gloving was in Elizabethan England: gloves were ubiquitous articles, essential to fashion and ceremony, ranging in style from the serviceable to the elaborate. Though London was the center of the trade, Malone found at least five glovers were at work in late sixteenth-century Stratford, and he argued that their wares extended beyond gloves to such workaday items as “leathern hose, aprons, belts, points, jerkins, pouches, wallets, satchels and purses.”3 This information changed forever our picture of William Shakespeare’s childhood, and in this respect as in many others the 1821 Life achieved “a quantum leap forward in Shakespeare studies.”4
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Notes
Edmond Malone, The Plays and Poems of William Shakspeare (London, F. C. and J. Rivington, 1821), 78.
E. K. Chambers, William Shakespeare: A Study of Facts and Problems (Oxford: Clarendon Press, 1930), 1: 12.
Edgar I. Fripp, Shakespeare: Man and Artist (Oxford and London: Oxford University Press and Humphrey Milford, 1938), 79–80.
Michael Wood, In Search of Shakespeare (London: BBC, 2003) 24;
Stanley Wells, Shakespeare: For All Time (Oxford: Oxford University Press, 2002), 5.
Stephen Greenblatt, Will in the World: How Shakespeare became Shakespeare (New York: W. W. Norton, 2004), 14.
For a full account see Ralph W. Wiggett, A History of the Worshipful Company of Glovers of London (Chichester: Phillimore & Co., 2000).
L. A. Clarkson, “The Organization of the English Leather Industry in the late Sixteenth and Seventeenth Centuries,” Economic History Review 13: 2 (1960), 245.
W. G. Hoskins, “English Provincial Towns in the Early Sixteenth Century,” Transactions of the Royal Historical Society, 5th series, volume 6 (1956), 13–14.
On the partial commentary Erasmus wrote on the Psalter, see Michael J. Heath, “Erasmus and the Psalms,” in The Bible in the Renaissance, ed. Richard Griffiths (Burlington: Ashgate, 2001), 28–44.
Thomas Chaloner, The Praise of Folie, ed. Clarence H. Miller (London: Oxford University Press, 1965), 111. Further references to this text will be parenthetical.
Desiderius Erasmus, Adages, trans. Margaret Mann Phillips and R. A. B. Mynors, in Collected Works of Erasmus, vols. 31–4 (Toronto: University of Toronto Press, 1982–1992), 31: 4. Cited hereafter as CWE.
Richard Curteys, Two sermons preached by the reuerend father in God the Bishop of Chichester (London: J. Allde, 1576), 117–18.
For paleontology, see R. S. Thomson, “Tanning: Man’s First Manufacturing Process,” Transactions of the Newcomen Society 53 (1981–82), 139–40. On animal skins in the Fall, see
Ann Rosalind Jones and Peter Stallybrass, Renaissance Clothing and the Materials of Memory (Cambridge: Cambridge University Press, 2000), 269–71.
Phillip Stubbes, The Anatomie of Abuses (London, 1583), I: C3v–C4r. Further citations will be parenthetical.
Phillip Stubbes, The Second Part of the Anatomie of Abuses, Conteining the Display of Corruptions (London, [1583]), F2v–F4r. Further citations will be parenthetical.
Robert Burton, The Anatomy of Melancholy (London: Dent, 1972), 383–4.
George Puttenham, The Arte of English Poesie (Kent, Ohio: Kent State University Press, 1970), 202.
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© 2009 Anston Bosman
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Bosman, A. (2009). Shakespeare in Leather. In: Barkan, L., Cormack, B., Keilen, S. (eds) The Forms of Renaissance Thought. Palgrave Macmillan, London. https://doi.org/10.1057/9780230228443_11
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DOI: https://doi.org/10.1057/9780230228443_11
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