Abstract
Entertainment media are generally understood as various forms of amusement, but the pleasures of entertainment media do not conceal their impact on society. Media products and innovations take many forms, such as television programs, advertising, film, the Internet, electronic games, literature, and comic books, to name a few that provoke perpetual debates about their effects. Entertainment and nonfiction, such as the various forms of journalism, raise questions about representations and issues related to politics, sex, violence, and crime, and their impact on social values, beliefs, and practices within a given culture.
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Notes
Ellen Seiter, “Semiotics, Structuralism, and Television,” Channels of Discourse Reassembled: Television and Contemporary Criticism, ed. Robert C. Allen (Chapel Hill: University of North Carolina Press, 1992), 50.
Ien Ang, Watching Dallas (New York: Methuen, 1985), 92–96.
Simone De Beauvoir, “Woman as Other,” in Social Theory: The Multicultural and Classic Readings, ed. Charles Lemert, originally published 1949 (Boulder, CO: Westview Press, 1993), 367–380.
Elliot Gaines, “The Semiotic Analysis of Media Myth: A Proposal for an Applied Methodology,” American Journal of Semiotics 17, no. 2 (Summer 2001): 311–327.
Mimi White, “Ideological Analysis and Television,” Channels of Discourse Reassembled: Television and Contemporary Criticism, ed. Robert C. Allen (Chapel Hill: University of North Carolina Press, 1992), 194.
Rodney A. Buxton, “The Late Night Talk Show: Humor in Fringe Television,” Television Criticism: Approaches and Applications, ed. Leah R. Vande Berg and Lawrence A. Wenner (New York: Longman, 1991), 412.
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© 2010 Elliot Gaines
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Gaines, E. (2010). Entertainment, Culture, Ideology, and Myth. In: Media Literacy and Semiotics. Semiotics and Popular Culture. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230115514_6
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DOI: https://doi.org/10.1057/9780230115514_6
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-0-230-10828-8
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