Abstract
Kashmiris have taken pride in inhabiting a cultural space between Vedic Hinduism and Sufi Islam. The traditional communal harmony in Kashmir enabled the peaceful coexistence of Muslims and Hindus, highlighted by mutual respect for their places of worship and an ability to synthesize not just cultural but religious practices as well (for conceptualizations of “Kashmiriyat,” see Kaw 2004; Razdan 1999; Rushdie 2005; Whitehead 2004: 335–40). Deep reverence for each other’s shrines and the relics housed in those shrines is a well-entrenched aspect of the culture. Salman Rushdie (2005: 57) describes this sentiment of “Kashmiriyat” succinctly in his fictionalized account of the history of J & K, Shalimar the Clown: “The words Hindu and Muslim had no place in their story.…In the Valley these words were merely descriptions, not divisions. The frontiers between the words, their hard edges, had grown smudged and blurred.”
Shiv chuy thali thali rozaan
Mav Zaan Hyound ta Mussalman
Trukhay chukh ta panunuy paan parzaan
Ada Chay Saahibas Zaani Zaan
(Lalla-Ded, quoted in Mattoo 2007)
Shiva abides in all that is everywhere
Then do not discriminate between a Hindu and a Muslim
If you are wise seek the Absolute within yourself
That is true knowledge of the Lord
(from “Lalla-Ded’s Vaakhs”)
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© 2010 Nyla Ali Khan
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Khan, N.A. (2010). Cultural Syncretism in Kashmir. In: Islam, Women, and Violence in Kashmir. Comparative Feminist Studies Series. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230113527_3
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DOI: https://doi.org/10.1057/9780230113527_3
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-29075-8
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