Abstract
This chapter studies the function of exile in tragedy. The protagonists in the three novels—Toni Morrison’s Beloved, F. Scott Fitzgerald’s The Great Gatsby, and Dreiser’s An American Tragedy — are all socially marginalized. In Beloved, the racially ostracized heroine’s assertion for human dignity ends in violent infanticide. In The Great Gatsby and An American Tragedy, the impoverished social outcasts’ aspiration for the material and spiritual implication of the American Dream brings about their destruction. In all these novels, tragic heroes are featured as ostracized loners in a boundary situation, wherein good and bad are inextricably mixed.
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© 2010 Hong Zeng
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Zeng, H. (2010). Semiotics of Exile in Tragedy. In: The Semiotics of Exile in Literature. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230113114_4
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DOI: https://doi.org/10.1057/9780230113114_4
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-28902-8
Online ISBN: 978-0-230-11311-4
eBook Packages: Palgrave Literature CollectionLiterature, Cultural and Media Studies (R0)