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Alessandra Belloni

In Her Own Words
  • Luisa Del Giudice
Part of the Italian and Italian American Studies book series (IIAS)

Summary

Introduction; 1. Beginnings: Rome, New York; 2. “No Mom, I’m Staying!” 3. A Very Clever, Beautiful Mother and a Tyrannical Father; 4. Mother and Daughter in Film; 5. Maternal Grandparents and Traditional Music: “We Were All Embar- rassed”; 6. Early Musical Tastes: Cabaret; 7. FellinPs Advice; 8. Anna Magnani and a Thwarted Acting Career; 9. Alone in New York; 10. Return to Rome and the Discovery of Traditional Music; 11. John La Barbera, I Giullari, and New York Uni- versity; 12. Tarantismo: First Exposures; 13. Rhythm Is the Cure: Calling Down the Spirits; 14. Puglia and Pizzica: Knives, Sex, and Women; 15. “This Thing Against Women”; 16. “They Live in a Spider’s Web”; 17. Women Have Lost Their Strength; 18. Percussion: Entering “A Real Male World”; 19. Pm Not a Feminist; 20. New Age Nonsense; 21. World Musical Fusions: We are all One; 22. “Pve Always Felt Part Indian”; 23. Italian Americans: A Love-Hate Relationship; 24. “The Kids are Wild About If; 25. Dressing Up; 26. The Black Madonna: The Great Mother; 27. Southern Reincarnations: Naples, Calabria; 28. Current Musical Inclinations and World Music; 29. Artists-in-Residence at St. John the Divine Cathedral, New York; 30. “Mediterranean Volcano” and “Black Madonna”; 31. Priestly Callings

Keywords

Oral History Mystical Experience Healing Power American Indian Community Traditional Music 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Copyright information

© Luisa Del Giudice 2009

Authors and Affiliations

  • Luisa Del Giudice

There are no affiliations available

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