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Alternative Viewership Practices in Kyoto, Japan

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The Palgrave Handbook of Asian Cinema

Abstract

Cinema attendance and domestic production is once more on the rise in East Asia. At the same time, Japanese cinema is enjoying a domestic boom. This chapter takes as a case study alternative viewership practices in the city of Kyoto from 2014 to 2017, where Shōwa era (1926–1989) classics were screened twice a day at the Kyōto Bunka Hakubutsukan (City Culture Museum), while just streets away younger audiences viewed art house and independent films at the Rissei “squatter cinema.” Combining ethnographic materials including interviews, questionnaires, and participant observation with analysis of venue spaces and programming, this chapter analyzes the attractions of alternative cinema spaces for viewers in Kyoto.

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Filmography

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Author information

Authors and Affiliations

  1. University of East Anglia, Norwich, UK

    Jennifer Coates

Authors
  1. Jennifer Coates
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Correspondence to Jennifer Coates .

Editor information

Editors and Affiliations

  1. University of Hong Kong, Hong Kong, Hong Kong

    Aaron Han Joon Magnan-Park

  2. School of Humanities, University of Hong Kong, Hong Kong, Hong Kong

    Gina Marchetti

  3. University of Macau, Macau, Singapore

    See Kam Tan

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Coates, J. (2018). Alternative Viewership Practices in Kyoto, Japan. In: Magnan-Park, A., Marchetti, G., Tan, S. (eds) The Palgrave Handbook of Asian Cinema. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-349-95822-1_12

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