Abstract
As one of melodrama’s most vital expressions, music encourages empathy for a girl character’s desiring, but anxious heterosexual gaze. This chapter explores references to music in Jane Eyre and Twilight. In the literary texts, music simultaneously cues the protagonists’ insecurities and accentuates their sexual longings. Although Bella’s desire for physical intimacy with Edward is consistently thwarted throughout much of the series, music’s circularity validates and even replicates that sexual yearning. In fact, recognizing music’s expression of desire reveals how the cinematic Bella’s sexual desire is articulated—outside of her own spoken narration. Although such passivity has been criticized, this has not prohibited girls from imagining Bella’s sexual desire, as some fans vocalize it in their own musical discourse.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Author information
Authors and Affiliations
Copyright information
© 2016 The Author(s)
About this chapter
Cite this chapter
Kapurch, K. (2016). Musical Gestures: Melodramatic Lullabies of Anxious Desire. In: Victorian Melodrama in the Twenty-First Century. Palgrave Macmillan, New York. https://doi.org/10.1057/978-1-137-58169-3_4
Download citation
DOI: https://doi.org/10.1057/978-1-137-58169-3_4
Published:
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-137-59060-2
Online ISBN: 978-1-137-58169-3
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)