Abstract
This chapter moves from the sea to the shore and to the millions of listeners on land, investigating how they consumed rebel radio broadcasts. Arguing that listening is a practice that shapes and is shaped by relations between bodies and an expanded field of non-human materials, and more-than-human life, the chapter considers how the intimate soundscapes described in Chap. 3 were received, generating atmospheric spaces of listening. These atmospheric listening spaces, it is argued, were affective as listeners became immersed within the politics surrounding the pirate broadcasting phenomenon, namely the ongoing fight for free radio. The chapter demonstrates how a contemporary concern with affective atmospheres can be rethought through the example of rebel radio stations.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
For sound to travel, it must do so via a medium through which it propagates (such as air, water, solids). Radio does not technically require a medium to travel as it relies on electromagnetic waves that themselves have energy. As such, where it is noted that radio relies on air/atmosphere this refers to radio reception. What is heard via radio is sound that has propagated through the air when received by the listener. It also refers to the movement of radio waves—which, irrespective of propagation, still cross invisible aerial territories (see also Chap. 5).
References
Adey, P., Brayer, L., Masson, D., Murphy, P., Simpson, P., & Tixier, N. (2013). ‘Pour votre tranquillité’: Ambiance, atmosphere, and surveillance. Geoforum, 49, 299–309.
Anderson, B. (2006). Becoming and being hopeful: Towards a theory of affect. Environment and Planning D: Society and Space, 24, 733–752.
Anderson, B. (2009). Affective atmospheres. Emotion, Space and Society, 2, 77–81.
Anderson, B., & Ash, J. (2015). Atmospheric methods. In P. Vannini (Ed.), Non-Representational Methodologies: Re-Envisioning Research (pp. 34–51). Abingdon: Routledge.
Ash, J. (2013). Rethinking affective atmospheres: Technology, perturbation and space times of the non-human. Geoforum, 49, 20–28.
Bennett, K., Cochrane, A., Mohan, G., & Neal, S. (2015). Listening. Emotion, Space and Society, 17, 7–14.
Boland, P. (2010). Sonic geography, place and race in the formation of local identity: Liverpool and Scousers. Geografiska Annaler, Series B: Human Geography, 92(1), 1–22.
Brown, A. J. (2016). Above and below the streets: A musical geography of anti-nuclear protest in Tokyo. Emotion, Space and Society, 20, 82–89.
Davis, K. (1990). Ionosphric Radio. London: Peter Peregrinus Ltd.
Doughty, K., Duffy, M., & Harada, T. (2016). Practices of emotional and affective geographies of sound. Emotion, Space and Society, 20, 39–41.
Edensor, T. (2012). Illuminated atmospheres: Anticipating and reproducing the flow of affective experience in Blackpool. Environment and Planning D: Society and Space, 30(6), 1103–1122.
Edensor, T. (2015a). Producing atmospheres at the match: Fan cultures, commercialisation and mood management in English football. Emotion, Space and Society, 15, 82–89.
Edensor, T. (2015b). Light design and atmosphere. Visual Communication, 14(3), 331–350.
Edmond, M. (2015). All platforms considered: Contemporary radio and transmedia engagement. New Media & Society, 17(9), 1566–1582.
Gallagher, M. (2016). Sound as affect: Difference, power and spatiality. Emotion, Space and Society, 20, 42–48.
Gallagher, M., Kanngieser, A., & Prior, J. (2016). Listening geographies: Landscape, affect and geotechnologies. Progress in Human Geography, 1–20, Retrieved May 13, 2017, from http://journals.sagepub.com/doi/abs/10.1177/0309132516652952
Hendy, D. (2010). Listening in the dark: Night-time radio and a ‘deep history’of media. Media History, 16(2), 215–232.
Ingold, T. (2007). Against soundscape. In A. Carlyle (Ed.), Autumn Leaves: Sounds and the Environment in Artistic Practice (pp. 10–13). Paris: Double Entendre.
Keough, S. B. (2010). The importance of place in community radio broadcasting: A case study of WDVX, Knowxville, Tennessee. The Journal of Cultural Geography, 21(1), 77–98.
Kogawa, T., & Kanngieser, A. (2013). A Micro-history of ‘Convivial’ radio in Japan. A conversation with Tetsuo Kogawa with an introduction by Anja Kanngieser. Parallax, 19(2), 85–94.
Levi-Strauss, C. (1973). Tristes Tropiques. London: Jonathan Cape Ltd.
Lewis, P. M. (2000). Private passion, public neglect: The cultural status of radio. International Journal of Cultural Studies, 3(2), 160–167.
Mack, J. (2011). The Sea: A Cultural History. London: Reaktion.
McCormack, D. P. (2008). Engineering affective atmospheres: On the moving geographies of the 1897 Andree expedition. Cultural Geographies, 15, 413–430.
Nancy, J. L. (2007). Listening. New York: Fordham University Press.
Ogola, G. (2011). The political economy of the media in Kenya: From Kenyatta’s nation-building press to Kibaki’s local-language FM radio. Africa Today, 57(3), 77–95.
Past Masters No 4. (2007). ‘Radio Sunk’ Radio Caroline loses aerial, October–November 1987. London: [CD] The Radio Caroline Society.
Past Masters No 6. (2007). ‘Caroline—For the moment….Goodbye’ Radio Caroline Ship sinks, March 19th 1980. London: [CD] The Radio Caroline Society.
Peters, K. (2014). Tracking (im) mobilities at sea: Ships, boats and surveillance strategies. Mobilities, 9(3), 414–431.
Pink, S., & Leder Mackley, K. (2016). Moving, making and atmosphere: Routines of home as sites for mundane improvisation. Mobilities, 11(2), 171–187.
Pinkerton, A., & Dodds, K. (2009). Radio geopolitics: Broadcasting, listening and the struggle for acoustic spaces. Progress in Human Geography, 33(1), 10–27.
Pompeii, B. (2015). The use of public radio as a tool in qualitative geographic research. GeoJournal, 80(6), 791–802.
Revill, G. (2016). How is space made in sound? Spatial mediation, critical phenomenology and the political agency of sound. Progress in Human Geography, 40(2), 240–256.
Simpson, P. (2009). ‘Failing on deaf ears’: A postphenomenology of sonorous presence. Environment and Planning A, 41(11), 2556–2575.
Skues, K. (2010). Pop Went the Pirates II. Norfolk: Lambs’ Meadow Publications.
Steinberg, P. E. (2001). The Social Construction of the Ocean. Cambridge: Cambridge University Press.
Stewart, K. (2011). Atmospheric attunements. Environment and Planning D: Society and Space, 29(3), 445–453.
Thrift, N. (2004). Intensities of feeling: Towards a politics of affect. Geografiska Annaler, Series B: Human Geography, 86(1), 57–78.
Turner, J., & Peters, K. (2015). Unlocking carceral atmospheres: Designing visual/material encounters at the prison museum. Visual Communication, 14(3), 309–330.
Wissmann, T., & Zimmermann, S. (2015). Sound in media: Audio drama and audio-guided tours as stimuli for the creation of place. GeoJournal, 80(6), 803–810.
Author information
Authors and Affiliations
Copyright information
© 2018 The Author(s)
About this chapter
Cite this chapter
Peters, K. (2018). Audio Atmospherics: Listening from Land. In: Sound, Space and Society. Geographies of Media. Palgrave Pivot, London. https://doi.org/10.1057/978-1-137-57676-7_4
Download citation
DOI: https://doi.org/10.1057/978-1-137-57676-7_4
Published:
Publisher Name: Palgrave Pivot, London
Print ISBN: 978-1-137-57675-0
Online ISBN: 978-1-137-57676-7
eBook Packages: Social SciencesSocial Sciences (R0)