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Why Are Military Memoirs Written?

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Bringing War to Book

Abstract

In this chapter, we discuss what authors say, and what the texts of memoirs indicate, about the question of motivation to write. We start by looking at the idea of the memoir as a historical text, and we explore how authors variously resist and embrace the idea that they are writing a historical account. We explore motivations which spring from a desire to tell a story, and look at how significant particular sets of circumstances might be in creating the right conditions for that author to sit down and start writing. We examine what authors say about the financial motivations for writing, which are sometimes assumed by commentators to be more significant than authors themselves suggest. We then look at the therapeutic effects of writing and post-publication assessments of the catharsis which writing a personal memoir may or may not produce. We conclude by discussing authors’ assertions about the veracity and truth of their work.

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Notes

  1. 1.

    All quotations are taken from interviews conducted by K. Neil Jenkings with military memoirists unless otherwise identified. See Authors’ Note in the preliminary pages.

  2. 2.

    Ely, N. (2003) For Queen and Country. London: Blake. Also published in 2007 as Fighting for Queen and Country.

  3. 3.

    Bury, P. (2010) Callsign Hades. London: Simon & Schuster.

  4. 4.

    Bywater, S. (2003) Forced Out. Lewes: The Book Guild.

  5. 5.

    Lukowiak, K. (1993) A Soldier’s Song: True Stories from the Falklands. London: Phoenix.

  6. 6.

    Preece, S. (2004) Amongst the Marines: The Untold Story. Edinburgh: Mainstream.

  7. 7.

    Nordass, G. with Riegel, R. (2009) Commando: A Royal Marine’s Story. Dublin: The O’Brien Press.

  8. 8.

    Pook, J. (2007) RAF Harrier Ground AttackFalklands. Barnsley: Pen and Sword.

  9. 9.

    Originally articulated in Thompson, E.P. (1966) History from Below. Times Literary Supplement, 7 April 1966, pp. 279–80.

  10. 10.

    Fieldgate, B. (2007) The Captain’s Steward. Chippenham: Melrose Books.

  11. 11.

    Hennessey, P. (2009) The Junior Officers’ Reading Club: Killing Time and Fighting Wars. London: Allen Lane.

  12. 12.

    Bain, C. (2007) Cold War, Hot Wings: Memoirs of a Cold War Fighter Pilot 1962–1994. Barnsley: Pen & Sword.

  13. 13.

    Nugent, E. (2006) Picking Up the Brass. Enstone: Writersworld. Eddy Nugent is the pen name used by two authors writing collaboratively. See Chap. 1 for our rationale for inclusion of this fictionalised account as a memoir.

  14. 14.

    Vaux, N. (1986) March to the South Atlantic. London: Buchan & Enright. Also published in 2007 by Pen & Sword, Barnsley.

  15. 15.

    Kinzer Stewart, N. (1991) Mates & Muchachos: Unit Cohesion in the Falklands/Malvinas War. Washington: Brassey’s.

  16. 16.

    Bramley, V. (1991) Excursion to Hell: Mount Longdon, A Universal Story of Battle. London: Pan.

  17. 17.

    Scott, J. (2008) Blood Clot: In Combat with the Patrols Platoon, 3 Para Afghanistan, 2006. Solihull: Helion. Tootal, S. (2009) Danger Close: Commanding 3 PARA in Afghanistan. London: John Murray. Bishop, P. (2007) 3 PARA. London: Harper Press. Ferguson, J. (2008) A Million Bullets: The Real Story of the War in Afghanistan. London: Bantam.

  18. 18.

    Farthing, P. (2009) One Dog at a Time: Saving the Strays of Afghanistan. London: Ebury.

  19. 19.

    Jolly, R. (1983) The Red and Green Life Machine: A Diary of the Falklands Field Hospital. London: Corgi.

  20. 20.

    Ivison, K. (2010) Red One: A Bomb Disposal Expert on the Front Line. London: Weidenfeld & Nicholson.

  21. 21.

    Dannatt, R. (2010) Leading from the Front: The Autobiography. London: Bantam Press.

  22. 22.

    Barry, B. (2008) A Cold War: Front-line Operations in Bosnia 1995–1996. Stroud: Spellmount.

  23. 23.

    Macy, E. (2008) Apache: The Man, the Machine, the Mission. London: HarperPress. Macy, E. (2009) Hellfire London: HarperPress.

  24. 24.

    See also Jenkings, K. N. and Woodward, R. (2014) Practices of authorial collaboration: The collaborative production of the contemporary military memoir. Cultural Studies ↔ Critical Methodologies 14: 338–350.

  25. 25.

    Authors’ Licensing and Collecting Society What are words worth now? Not enough. Press release 8 July 2014. A report for the Joseph Rowntree Foundation in 2014 estimated this to be £13,500: see Davis, A., Hirsch, D. and Padley, M. (2014) A Minimum Income Standard for the UK in 2014. York: Joseph Rowntree Foundation.

  26. 26.

    Nowzad: Winning the War for Animals. Information available at www.nowzad.com (accessed 27 September 2017).

  27. 27.

    Farthing has subsequently published two more dog books for charitable purposes: Farthing, P. (2010) No Place Like Home: A New Beginning with the Dogs of Afghanistan. London: Ebury Press. Fathing, P. (2014) Wylie: The Brave Street Dog Who Never Gave Up. London: Hodder & Stoughton Ltd.

  28. 28.

    See Smith, S. and Watson, J. (2010) Reading Autobiography: A Guide for Interpreting Life Narratives. Second edition. Minneapolis: University of Minnesota Press.

  29. 29.

    McNally, T. (2007) Watching Men Burn: A Soldier’s Story. Cheltenham: Monday Books. Originally published as Cloudpuncher in 2000, Oxton: Classfern. Donnan, B. (1999) Fighting Back: One Man’s Struggle for Justice Against the British Army. Edinburgh: Mainstream.

  30. 30.

    Robinson, L. (2011) Soldiers’ stories of the Falklands War: Recomposing Trauma in Memoir. Contemporary British History 25 (4): 569–589.

  31. 31.

    Beattie, D. with Gomm, P. (2008) An Ordinary Soldier. London: Simon and Schuster, p. 296.

  32. 32.

    Robinson (2011) op cit., p. 570.

  33. 33.

    ‘Indenting’: to submit a request for goods.

  34. 34.

    Harari, N. Y. (2008) The Ultimate Experience: Battlefield Revelations and the Making of Modern War Culture 1450–2000. London: Palgrave Macmillan.

  35. 35.

    O’Brien, T. (1990) The Things They Carried. London: Flamingo.

  36. 36.

    McLoughlin, K., Feigel, L. and Martin, N. (Eds.) (2016) Writing War, Writing Lives. London: Routledge.

  37. 37.

    Kato, M. (2017) Testimony of war: Australian memoirs and fiction of the Pacific War. Life Writing 14 (4): 475–484.

  38. 38.

    Smith, S. and Watson, J. (2012) Witness or false witness?: Metrics of authenticity, collective I-formations, and the ethic of verification in first-person testimony. Biography 35 (4): 591–626.

  39. 39.

    Kraus, C. (2008) Proof of life: Memoir, truth and documentary evidence. Biography 31 (2): 245–286.

  40. 40.

    The only memoir in our collection which we know to be fake is Tom Carew’s Jihad! The Secret War on Afghanistan published in 2000 by Mainstream Publishing, Edinburgh. The author’s own life, and death, are recounted by Audrey Gillan, ‘The fantasy life and lonely death of the SAS veteran who never was’, The Guardian, 24 January 2009.

  41. 41.

    Hennessey (2009), op cit., p. ix, quoting Swofford, A. (2003) Jarhead: A Marine’s Chronicle of War and Other Battles. New York: Scribner.

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Woodward, R., Jenkings, K.N. (2018). Why Are Military Memoirs Written?. In: Bringing War to Book. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-57010-9_3

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  • DOI: https://doi.org/10.1057/978-1-137-57010-9_3

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