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The Public Lives of Jewish Stars

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Jews, Cinema and Public Life in Interwar Britain
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Abstract

In this chapter stages a transition away from an understanding of British-Jewish cinema culture that emphasises an introspective sphere of Jewish cultural activity, and towards a focus on Jewish communal concerns with how a Jewish presence in film made sense to a generalised non-Jewish audience. In the first instance this progresses through a discussion of Jewish film stars and their perceived movement between Jewish and non-Jewish realms. In tracing this motility it is argued that categories of public and private proved central to structuring the social imagination of British Jews around an enclaved/mainstream binary. Receiving extended discussion is the American actor Molly Picon. Embodying the Jewish social body in her screen presence it is argued that key to her appeal for British-Jewish audiences was a sense of the Jews as a people moving into visibility and recognition within the mass public sphere.

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Notes

  1. 1.

    The Cultural Federation of German Jews was formed in 1933 to put on artistic events across Germany and employed Jewish entertainers who were no longer permitted to perform in public. Its activities went ahead with the permission of the German state who sanctioned it as a pretence confected to camouflage the true extent of oppression.

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Correspondence to Gil Toffell .

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Toffell, G. (2018). The Public Lives of Jewish Stars. In: Jews, Cinema and Public Life in Interwar Britain. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-56931-8_4

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