Abstract
In this chapter stages a transition away from an understanding of British-Jewish cinema culture that emphasises an introspective sphere of Jewish cultural activity, and towards a focus on Jewish communal concerns with how a Jewish presence in film made sense to a generalised non-Jewish audience. In the first instance this progresses through a discussion of Jewish film stars and their perceived movement between Jewish and non-Jewish realms. In tracing this motility it is argued that categories of public and private proved central to structuring the social imagination of British Jews around an enclaved/mainstream binary. Receiving extended discussion is the American actor Molly Picon. Embodying the Jewish social body in her screen presence it is argued that key to her appeal for British-Jewish audiences was a sense of the Jews as a people moving into visibility and recognition within the mass public sphere.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
The Cultural Federation of German Jews was formed in 1933 to put on artistic events across Germany and employed Jewish entertainers who were no longer permitted to perform in public. Its activities went ahead with the permission of the German state who sanctioned it as a pretence confected to camouflage the true extent of oppression.
Bibliography
Anon. 1934. Picture Show Annual for 1935. London: Amalgamated Press.
Butler, David, dir. 1937. Ali Baba Goes to Town. USA: Twentieth Century Fox. 35MM.
Chaplin, Charles, dir. 1936. Modern Times. USA: Charles Chaplin Productions. 35MM.
Crosland, Alan, dir. 1927. The Jazz Singer. Burbank: Warner Home Video, 2002. DVD.
Dieterle, William, dir. 1936. The Story of Louis Pasteur. USA: Warner Bros. 35MM.
Dieterle, William, dir. 1937. The Life of Emile Zola. USA: Warner Bros. 35MM.
Dyer, Richard. (1979) 1998. Stars. London: British Film Institute.
Filmer, Paul. 2003. “Structures of Feeling and Socio‐Cultural Formations: The Significance of Literature and Experience to Raymond Williams’s Sociology of Culture.” British Journal of Sociology 54 (2) (June): 199–219.
Florey, Robert, and Joseph Santley, dirs. 1929. The Cocoanuts. USA: Paramount Pictures. 35MM.
Fraser, Nancy. 1992. “Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy.” In Habermas and the Public Sphere, edited by Craig Calhoun. Cambridge: MIT Press.
Freeland, Thornton, dir. 1930. Whoopee! USA: Samuel Goldwyn Company. 35MM.
Goldberg, Judith. 1983. Laughter Through Tears: The Yiddish Cinema. Rutherford, NJ: Fairleigh Dickinson University Press.
Goldin, Sidney M. dir, 1930. The Voice of Israel. USA: Judea Films. 35MM.
Goldin, Sidney M. dir, 1931. His Wife’s Lover. Brandeis University, MA: National Center for Jewish Film, 1995. VHS.
Goldin, Sidney M., and Ivan Abramson, dirs. 1923. Brandeis University, MA: National Center for Jewish Film, 1991. VHS.
Green, Joseph, dirs. 1937. The Jester. Poland: Green Film. 35MM.
Green, Joseph, and Jan Nowina-Przybylski, dirs. 1936. Yiddle with His Fiddle. Brandeis University, MA: National Center for Jewish Film, 1995. VHS.
Hoberman, J. 1991. Bridge of Light: Yiddish Film Between Two Worlds. New York: Museum of Modern Art: Schocken Books.
Kops, Bernard. (1963) 1973. The World Is a Wedding. London: Vallentine Mitchell.
LeRoy, Mervyn, dir. 1932. I Am a Fugitive from a Chain Gang. USA: Warner Bros. 35MM.
Lynn, Henry, dir. 1935. Bar Mitzvah. Brandeis University, MA: National Center for Jewish Film, 2009. DVD.
Lynn, Henry, and Abraham Leff, dirs. 1937. Where Is My Child. Brandeis University, MA: National Center for Jewish Film, 1991. VHS.
Mitchell, W. J. T. 1994. Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press.
Roland, George, dir. 1932. Joseph in the Land of Egypt. USA: Guaranteed Pictures Inc. 35MM.
Sandrow, Nahma. (1977) 1986. Vagabond Stars: A World History of Yiddish Theater. New York: Harper & Row. Reprint New York: Limelight Editions.
Shandler, Jeffrey. 1999. “Ost und West, Old World and New: Nostalgia and Anti-Nostalgia on the Silver Screen.” In When Joseph Met Molly: A Reader on Yiddish Film, edited by Sylvia Paskin. Nottingham: Five Leaves.
Shandler, Jeffrey. 2003. “Imagining Yiddishland: Language, Place and Memory.” History and Memory 15 (1): 123–49.
Sloman, Edward, dir. 1925. His People. Brandeis University, MA: National Center for Jewish Film, 1991. VHS.
Tuttle, Frank, dir. 1933. Roman Scandals. USA: Samuel Goldwyn Studios. 35MM.
Warner, Michael. 1992. “The Mass Public and the Mass Subject.” In Habermas and the Public Sphere, edited by Craig Calhoun. Cambridge: MIT Press.
Williams, Raymond. (1961) 2001. The Long Revolution. London: Chatto and Windus. Reprint Peterborough, ON: Broadview.
Author information
Authors and Affiliations
Corresponding author
Copyright information
© 2018 The Author(s)
About this chapter
Cite this chapter
Toffell, G. (2018). The Public Lives of Jewish Stars. In: Jews, Cinema and Public Life in Interwar Britain. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-56931-8_4
Download citation
DOI: https://doi.org/10.1057/978-1-137-56931-8_4
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-56930-1
Online ISBN: 978-1-137-56931-8
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)