Abstract
This chapter examines some of the ways that the motif of the double fuels the fiction of Dostoevsky. On the one hand, there is the story, The Double, which features the appearance of the main character’s double, possibly a Doppelgänger. Beyond the appearance of the Doppelgänger, the story is peppered with images of doubles. Most of my energy in this chapter, however, focuses on Crime and Punishment, which is saturated and driven by a variety of doubles. My intention here is to articulate a second narrative—a story of doubles—that provides something like an animated armature for the main narrative.
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References
Dostoevsky, Fyodor. 2004. Crime and Punishment. Trans. Richard Pevear, and Larissa Volokhonsky. New York: Vintage Books.
Dostoevsky, Fyodor. 2007. The Gambler. In The Double and the Gambler. Trans. Richard Pevear, and Larissa Volokhonsky. New York: Vintage Classics.
Dostoevsky, Fyodor. 2008. The Eternal Husband and Other Stories. Trans. Richard Pevear, and Larissa Volokhonsky. New York: Bantam Classic.
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Seitz, B. (2016). Precisely Not Me: The Deuce in Dostoevsky. In: Intersubjectivity and the Double. Palgrave Macmillan, New York. https://doi.org/10.1057/978-1-137-56375-0_3
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DOI: https://doi.org/10.1057/978-1-137-56375-0_3
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Publisher Name: Palgrave Macmillan, New York
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Online ISBN: 978-1-137-56375-0
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