Abstract
‘I rebel, therefore we are’ introduces the proposed comparison of Dada and Existentialism by briefly summarising the ways in which Dada can be aligned with French Existentialism based in the individual members’ interests in theory, as well as the ways in which the French Existentialists incorporated Dada into their theoretical texts. From a springboard of Huelsenbeck’s 1957 essay ‘Dada and Existentialism’, this introduction assesses Huelsenbeck’s claim, while taking up his invitation to fully analyse the potential for links between the two movements. The introduction ends by positing the book’s main thesis: not only that there are substantive links between these two movements, but also that these are to be found through the foregrounding of a self based in a quest for authenticity, attained through ambiguity.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Ball, H. 1974. Flight out of time: A Dada diary. Translated from the German by Ann Raimes. New York: The Viking Press. Abbreviated to FT.
Biro, Matthew. 2009. The Dada Cyborg: Visions of the new human in Weimar Berlin. Minneapolis: University of Minnesota Press.
Boulé, Jean-Pierre, and Enda McCaffrey (eds.). 2011. Existentialism and contemporary cinema: A Sartrean perspective. New York/Oxford: Berghahn.
Boulé, Jean-Pierre, and Ursula Tidd (eds.). 2012. Existentialism and contemporary cinema: A Beauvoirian perspective. New York/Oxford: Berghahn.
Buot, François. 2002. Tristan Tzara: L’homme qui inventa la révolution Dada. Paris: Grasset & Fasquelle.
Camus, Albert. 1947. La Peste. Paris: Gallimard. Abbreviated to P.
Camus, Albert. 1951. L’Homme révolté. Paris: Gallimard. Abbreviated to HR.
Forcer, Stephen. 2015. Dada as text, thought and theory. Oxford: Legenda, Modern Humanities Research Association and Maney Publishing.
Foster, Stephen (ed.). 1996. Dada: The coordinates of cultural politics. New York/London: G.K. Hall/Prentice Hall International.
Hemus, Ruth. 2009. Dada’s women. New Haven/London: Yale University Press.
Motherwell, Robert (ed.). 1989. The Dada painters and poets: An anthology. San Francisco: Wittenborn Art Books.
Papanikolas, Theresa. 2010. Anarchism and the advent of Paris Dada. Farnham: Ashgate.
Pegrum, Mark A. 2000. Challenging modernity: Dada between modern and postmodern. New York/Oxford: Berghahn.
Richter, Hans. 1965. Dada art and anti-art. Translated from the German by David Britt. London: Thames and Hudson. Abbreviated to AA.
Sartre, Jean-Paul. 1938. La Nausée. Paris: Gallimard. Abbreviated to N.
Sawelson-Gorse, Naomi (ed.). 1999. Women in Dada: Essays on sex, gender, and identity. Cambridge, MA/London: MIT.
Sheppard, Richard. 2000. Modernism – Dada – Postmodernism. Evanston: Northwestern University Press.
Stephens, Bradley. 2011. Victor Hugo, Jean-Paul Sartre, and the liability of liberty. London: Legenda, Modern Humanities Research Association and Maney Publishing.
Stoppard, Tom. 1975. Travesties. London: Faber and Faber Limited. Abbreviated to T.
Dada Cinéma. 2005. Paris: Re:Voir Vidéo et Éditions du Centre Pompidou, ADAGP, Cecile Starr. DVD.
Léger, Fernand, and Dudley Murphy 1924. Le Ballet Mécanique. Soundtrack by George Antheil.
Man Ray. 1923. Le Retour à la Raison. Silent.
Man Ray. 1926. Emak Bakia. Musical montage applied post-production.
Author information
Authors and Affiliations
Copyright information
© 2016 The Author(s)
About this chapter
Cite this chapter
Benjamin, E. (2016). Introduction: ‘I Rebel, Therefore We Are’. In: Dada and Existentialism. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-56368-2_1
Download citation
DOI: https://doi.org/10.1057/978-1-137-56368-2_1
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-56367-5
Online ISBN: 978-1-137-56368-2
eBook Packages: Religion and PhilosophyPhilosophy and Religion (R0)