Skip to main content

Introduction: ‘I Rebel, Therefore We Are’

  • Chapter
  • First Online:
Dada and Existentialism
  • 978 Accesses

Abstract

‘I rebel, therefore we are’ introduces the proposed comparison of Dada and Existentialism by briefly summarising the ways in which Dada can be aligned with French Existentialism based in the individual members’ interests in theory, as well as the ways in which the French Existentialists incorporated Dada into their theoretical texts. From a springboard of Huelsenbeck’s 1957 essay ‘Dada and Existentialism’, this introduction assesses Huelsenbeck’s claim, while taking up his invitation to fully analyse the potential for links between the two movements. The introduction ends by positing the book’s main thesis: not only that there are substantive links between these two movements, but also that these are to be found through the foregrounding of a self based in a quest for authenticity, attained through ambiguity.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 79.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 99.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  • Ball, H. 1974. Flight out of time: A Dada diary. Translated from the German by Ann Raimes. New York: The Viking Press. Abbreviated to FT.

    Google Scholar 

  • Biro, Matthew. 2009. The Dada Cyborg: Visions of the new human in Weimar Berlin. Minneapolis: University of Minnesota Press.

    Google Scholar 

  • Boulé, Jean-Pierre, and Enda McCaffrey (eds.). 2011. Existentialism and contemporary cinema: A Sartrean perspective. New York/Oxford: Berghahn.

    Google Scholar 

  • Boulé, Jean-Pierre, and Ursula Tidd (eds.). 2012. Existentialism and contemporary cinema: A Beauvoirian perspective. New York/Oxford: Berghahn.

    Google Scholar 

  • Buot, François. 2002. Tristan Tzara: L’homme qui inventa la révolution Dada. Paris: Grasset & Fasquelle.

    Google Scholar 

  • Camus, Albert. 1947. La Peste. Paris: Gallimard. Abbreviated to P.

    Google Scholar 

  • Camus, Albert. 1951. L’Homme révolté. Paris: Gallimard. Abbreviated to HR.

    Google Scholar 

  • Forcer, Stephen. 2015. Dada as text, thought and theory. Oxford: Legenda, Modern Humanities Research Association and Maney Publishing.

    Google Scholar 

  • Foster, Stephen (ed.). 1996. Dada: The coordinates of cultural politics. New York/London: G.K. Hall/Prentice Hall International.

    Google Scholar 

  • Hemus, Ruth. 2009. Dada’s women. New Haven/London: Yale University Press.

    Google Scholar 

  • Motherwell, Robert (ed.). 1989. The Dada painters and poets: An anthology. San Francisco: Wittenborn Art Books.

    Google Scholar 

  • Papanikolas, Theresa. 2010. Anarchism and the advent of Paris Dada. Farnham: Ashgate.

    Google Scholar 

  • Pegrum, Mark A. 2000. Challenging modernity: Dada between modern and postmodern. New York/Oxford: Berghahn.

    Google Scholar 

  • Richter, Hans. 1965. Dada art and anti-art. Translated from the German by David Britt. London: Thames and Hudson. Abbreviated to AA.

    Google Scholar 

  • Sartre, Jean-Paul. 1938. La Nausée. Paris: Gallimard. Abbreviated to N.

    Google Scholar 

  • Sawelson-Gorse, Naomi (ed.). 1999. Women in Dada: Essays on sex, gender, and identity. Cambridge, MA/London: MIT.

    Google Scholar 

  • Sheppard, Richard. 2000. Modernism – Dada – Postmodernism. Evanston: Northwestern University Press.

    Google Scholar 

  • Stephens, Bradley. 2011. Victor Hugo, Jean-Paul Sartre, and the liability of liberty. London: Legenda, Modern Humanities Research Association and Maney Publishing.

    Google Scholar 

  • Stoppard, Tom. 1975. Travesties. London: Faber and Faber Limited. Abbreviated to T.

    Google Scholar 

  • Dada Cinéma. 2005. Paris: Re:Voir Vidéo et Éditions du Centre Pompidou, ADAGP, Cecile Starr. DVD.

    Google Scholar 

  • Léger, Fernand, and Dudley Murphy 1924. Le Ballet Mécanique. Soundtrack by George Antheil.

    Google Scholar 

  • Man Ray. 1923. Le Retour à la Raison. Silent.

    Google Scholar 

  • Man Ray. 1926. Emak Bakia. Musical montage applied post-production.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Copyright information

© 2016 The Author(s)

About this chapter

Cite this chapter

Benjamin, E. (2016). Introduction: ‘I Rebel, Therefore We Are’. In: Dada and Existentialism. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-56368-2_1

Download citation

Publish with us

Policies and ethics