Abstract
Tourist experiences at historical prisons are guided by a limited number of methods designed to enable engagement with the buildings and their ex-residents. Tours are occasionally supplemented with immersive experiences, such as trying on handcuffs or playing the part of an inmate. Narratives of certain prisoners are often emphasized, and the architecture and artefacts are highlighted, but for the most part stories are told through signs and guides and are largely based on official documents and a select few memoirs, diaries or correspondences; including those of prison officials who sometimes act as the guides themselves. This can lead to both biases and the narrative being subject to “whitewashing,” either through historical censorship or the belief that visitors should be protected from the gritty reality of life in prison. It may also create an environment where the visitor learns facts but fails to emotionally connect with the prison or its former residents.
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Agutter, R. (2017). In Their Own Words: Incorporating Graffiti into the Tourist Experience at the Adelaide Gaol. In: Wilson, J., Hodgkinson, S., Piché, J., Walby, K. (eds) The Palgrave Handbook of Prison Tourism. Palgrave Studies in Prisons and Penology. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-56135-0_39
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