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Translating the Past: The Moral Universe of Calderón’s Painter of Dishonour

  • David Johnston
Chapter
Part of the Palgrave Studies in Translating and Interpreting book series (PTTI)

Abstract

The interplay between private desire and ingrained codes of a public morality centred on honour, shame, and retribution lay at the heart of how Spanish Golden Age theatre performed community to itself. Translation, in terms of its activities as a historicizing mode, is well placed to trace the development of the coercive components of this morality across time and space. But, as a re-creative mode, translation also enables audiences today both to understand the moral weight that such terms exercised in their own context, and to relate them to the different moral observance of our contemporary moment. In that way, this article proposes a theory of translation for the stage that refuses to bifurcate between past and present, that is both historicizing and re-historicizing.

Keywords

Restorative Justice Public Morality Honour Code Moral Universe Moral Intricacy 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Copyright information

© The Editor(s) (if applicable) and The Author(s) 2016

Authors and Affiliations

  • David Johnston
    • 1
  1. 1.School of Modern LanguagesQueen’s University BelfastBelfastUK

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