Abstract
At first glance, Eloise Richards Payne (1787–1819) would seem similar to visual art educators today: she was female, white, and native born. Her family was part of an emerging, urban middle class. As a child, Eloise probably paid attention to the visual culture surrounding her. A closer look reveals differences reflecting her gender and time period; her early art materials were probably watercolors and silk embroidery thread. Eloise’s parents were teachers who owned the Berry Street Academy in Boston, a venture or for-profit school. Before the invention of common schools, most schools were independent, with parents paying either by cash or by barter. Notwithstanding, if enough students chose not to enroll, the school soon failed.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsAuthor information
Authors and Affiliations
Copyright information
© 2016 The Editor(s) (if applicable) and The Author(s)
About this chapter
Cite this chapter
Stankiewicz, M.A. (2016). Learning to Draw in Antebellum Massachusetts. In: Developing Visual Arts Education in the United States. The Arts in Higher Education. Palgrave Macmillan, New York. https://doi.org/10.1057/978-1-137-54449-0_2
Download citation
DOI: https://doi.org/10.1057/978-1-137-54449-0_2
Published:
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-137-54448-3
Online ISBN: 978-1-137-54449-0
eBook Packages: Social SciencesSocial Sciences (R0)