Abstract
My country, Lebanon, where I was born and raised, has always been a place of strife, wars and conflict; a place where populations get displaced, human rights are violated, and corrupt governments create more suffering than good. In my three decades of life, I have continually witnessed displaced communities, neglected minorities, the suppression of freedom, and a lack of basic human needs and rights—ranging from the lack of electricity and water caused by the bad management of the abundant water in my country, to the impossibility for a Lebanese woman to grant her nationality to her kids, or her right for protection from domestic violence.
Keywords
- Domestic Violence
- Penal Code
- Drama Therapy
- Theatre Artist
- Life Sentence
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
This is a preview of subscription content, access via your institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsReferences
Boal, A. (2005). Legislative theatre: Using performance to make politics. London: Routledge.
Bernazza, L., & Valentini, V. (1998). La compagnia della fortezza. Catanzaro, Italy: Rubbettino Editore.
Emunah, R. (2015). Self-revelatory performance: A form of drama therapy and theatre. Drama Therapy Review, 1(1), 71–85.
Gaulier, P. (2008). Le Gégèneur/The Tormentor. Paris: Editions Filmko.
Pendzik, S. (2013). The poiesis and praxis of autobiographical therapeutic theatre. Unpublished manuscript of the Keynote Speech presented at the 13th Summer Academy of the German Association of Theatre-Therapy, Remscheid, Germany.
Punzo, A. (2013). E’ ai vinti che va il suo amore. I primi venticinque anni di autoreclusione con la Compagnia della Fortezza di Volterra. Firenze, Italy: Ed. Clichy.
Rose, R. (1954). Twelve angry men (teleplay). Westinghouse Studio One.
Saldana, J. (2005). Ethnodrama: An anthology of reality theatre. Walnut Creek, CA: AltaMira Press.
Snow, S., D’Amico, M., & Tanguay, D. (2003). Therapeutic theatre and well-being. Arts in Psychotherapy, 30, 73–82.
Spry, T. (2001). Performing autoethnography: An embodied methodological praxis. Qualitative Inquiry, 7(6), 706–732.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Copyright information
© 2016 The Author(s)
About this chapter
Cite this chapter
Daccache, Z. (2016). The Unheard Stories of Those Forgotten Behind Bars in Lebanon. In: Pendzik, S., Emunah, R., Read Johnson, D. (eds) The Self in Performance. Palgrave Macmillan, New York. https://doi.org/10.1057/978-1-137-53593-1_16
Download citation
DOI: https://doi.org/10.1057/978-1-137-53593-1_16
Published:
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-137-54153-6
Online ISBN: 978-1-137-53593-1
eBook Packages: Social SciencesSocial Sciences (R0)