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Kant’s Aesthetic Nonconceptualism

  • Dietmar H. HeidemannEmail author
Chapter

Abstract

The debate about Kantian conceptualism and nonconceptualism has completely overlooked the importance of Kant’s aesthetics. Heidemann shows how this debate can be significantly advanced by exploring Kant’s aesthetics, that is, the theory of judgements of taste and the doctrine of the aesthetic genius in Kant’s Third Critique. The analysis of judgements of taste demonstrates that nonconceptual mental content is a condition of the possibility of aesthetic experience. The subsequent discussion of the doctrine of the aesthetic genius reveals that aesthetic ideas must also be conceived in terms of nonconceptual mental content. Heidemann finally restricts Kant’s aesthetic nonconceptualism to the way aesthetic perceivers cognitively evaluate works of art, while he argues that the doctrine of the genius cannot count as a viable form of aesthetic nonconceptualism.

Keywords

Aesthetic Experience Cognitive Faculty Aesthetic Judgment Transcendental Idealism Aesthetic Evaluation 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Copyright information

© The Author(s) 2016

Authors and Affiliations

  1. 1.Institute of PhilosophyUniversity of LuxembourgLuxembourgLuxembourg

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