Opacities: Local Venues, Cosmopolitan Imaginaries
This chapter analyzes the work of emerging Asian American artists from California in the 2000s, especially Michelle Dizon. The Filipina American artist based in Los Angeles, positions her work transnationally and embraces a postcolonial poetics, outside of strictly national frames, while maintaining a strong de-colonial political critique of othering, commodification and economic effects of globalization. The author examines Dizon’s work offering a cultural critique of the shift from Asian Americanness to global, transnational issues, detailing how various recent shows have expressed a new sensibility.
Artists as migrants are not ghettoized according to national, racial and ethnic boundaries as in the 1990s.
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