Advertisement

Traces and Visions of In-Betweenness

  • Laura Fantone
Chapter
Part of the Critical Studies in Gender, Sexuality, and Culture book series (CSGSC)

Abstract

This chapter explores the shift to video and experimental filmmaking in the 1980s and early 1990s, as embraced by two Asian American artists. It discusses the work of Theresa Hak-Kyung Cha and Trinh T. Minh-ha in their resonating trajectories. The author embraces a feminist, postcolonial perspective, arguing that the two artists offer a uniquely transnational sensibility: they do not present themselves as simply Asian American. Their work poses questions on Asianness in the West, questions of gender, marginality and colonialism. The chapter concludes that Trinh and Cha embrace a poetic based on “becoming other,” short-circuiting fixed identities like ethnicity and nationality, while escaping a celebratory cosmopolitanism through an ontological and aesthetic shift.

References

  1. Anzaldúa, Gloria. 1987. How to Tame a Wild Tongue: 33–44, in Borderlands/La Frontera: The New Mestiza. San Francisco: Aunt Lute Books.Google Scholar
  2. Araeen, Rasheed. 1987. Third Text. London: Kala Press.Google Scholar
  3. Bhabha, Homi K. 1994. The Location of Culture. London: Routledge.Google Scholar
  4. Cha, Theresa Hak-Kyung. 1980. Exilée and Temps Morts. In Hotel, Collection of Written Works by Visual Artists, ed. R. Williams. New York: Tanam Press.Google Scholar
  5. ———. 1982. Dictee. New York: Tanam Press.Google Scholar
  6. Chow, Rey. 1993. Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies. Bloomington: Indiana University Press.Google Scholar
  7. Glissant, Édouard. 1990. Poétique de La Relation. Paris: Gallimard.Google Scholar
  8. Hall, Stuart. 1989. Cultural Identity and Cinematic Representation. Framework 15: 68–81. Google Scholar
  9. Kim, Elaine H., Norma Alarcón, and Hyun Yi Kang, eds. 1994. Writing Self, Writing Nation: A Collection of Essays on “Dictee” by Theresa Hak Kyung Cha. Berkeley: Third Woman Press.Google Scholar
  10. Lewallen, C., R. Lawrence, and Trinh T. Minh-ha, eds. 2001. The Dream of the Audience: Theresa Hak-Kyung Cha (1951–1982). Berkeley: University of California Press.Google Scholar
  11. Pines, Jim, and Paul Willemen. 1989. Questions of Third Cinema. London: BFI Publishing.Google Scholar
  12. Trinh, T. Minh-ha. 1989. Woman, Native, Other: Writing Postcoloniality and Feminism. Bloomington: Indiana University Press.Google Scholar
  13. ———. 1990. Documentary Is/Not a Name. October Spring 52: 76–98.Google Scholar
  14. ———. 1991. When the Moon Waxes Red: Representation, Gender, and Cultural Politics. New York: Routledge.Google Scholar
  15. ———. 1992. Framer Framed. New York: Routledge.Google Scholar
  16. ———. 2005. The Digital Film Event. New York: Routledge.Google Scholar
  17. Rinder, Lawrence. 1986. Korea: Theresa Hak-Kyung Cha. In The Dramaturgy of Style: Voice in Short Fiction, ed. Michael Gregory Stephens, 184–210. Carbondale: Southern Illinois University Press.Google Scholar

Copyright information

© The Author(s) 2018

Authors and Affiliations

  • Laura Fantone
    • 1
  1. 1.Gender and Women’s StudiesUniversity of CaliforniaBerkeleyUSA

Personalised recommendations