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Crime, Punishment, and Dark Tourism: The Carnivalesque Spectacles of the English Judicial System

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Abstract

Trial and punishment may seem far removed from the hedonism of travel and tourism, but they have been associated throughout history. The Romans, who ruled Europe for 1000 years, crucified political prisoners, criminals, and escaping slaves along the Via Appia—the main highway that led travellers in and out of Rome. The Crucifixion of Christ was staged by the Romans in Jerusalem, as a recreational spectacle on the feast of the Passover—a Jewish public holiday. And, Rome’s most famous ruin, the Colosseum, was once the leading tourist attraction for thousands of Romans, who came to watch the execution of Christians and other enemies of the state, who had been sentenced to death in gladiatorial contests with wild beasts.

We limit our analysis mainly to the United Kingdom, not simply because dark tourism is not to be found elsewhere, but rather due to the realisation that the accompanying language of connotation is culturally homogenised and temporarily predicated, thus allowing the similar cases that it describes to be compared. By contrast, examples from such Anglophone countries as the United States (e.g. Alcatraz tours) and Australia (Ned Kelly and Old Melbourne City Jail) set up a different system of signs and signifiers. As for the non-English speaking world, the full interpretive sense and capturing of such idiosyncratic meanings may well be “lost in translation” on account of associated linguistic variation. In this connection, we can think of such sites as Lima’s Museo de la Inquisiciόn or the Père Lachaise cemetery in Paris.

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Notes

  1. 1.

    Shakespeare had, of course, done so in Twelfth Night in the famous “All the world’s a stage…” speech, but his account was quite different from Goffman’s. Shakespeare saw the theatre of human life consisting of seven finite stages which followed each other from birth to death. Goffman imagined the theatre of life as a much more complex, stage on which we all daily play several parts and roles which change according to our roles in different social contexts or as he called, our “definition of the situation”.

  2. 2.

    This phrase was derogatively applied during the 1930s and 1940s, to staged trials in Russia and Germany where “enemies of the state” were put on trial and filmed. Western critics argued that the trials, though public, were a sham as guilt had previously been assumed and was always confirmed by the verdict, despite the appearance of due legal process.

  3. 3.

    This was its popular title. Its actual title was Acts and Monuments, which it claimed, “set forth at large...the bloody times, horrible troubles, and great persecutions against the true martyrs of Christ, fought and wrought as well by heathen Emperors, as now lately practised by Romish prelates, especially in the realm of England and Scotland” (Acts and Monuments, 8th edition, 1641).

  4. 4.

    See among several studies: J. Lennon 2010, Strange, C and M. Kempa (2003) Shades of Dark Tourism: Alcatraz and Robben Island. Annals of Tourism Research, 30 (2): 386–403; J.Z. Wilson (2008) Prison: Cultural Memory and Dark Tourism. Peter Lang, Oxford; Hodgkinson and Urquhart (2017) Prison tourism. Exploring the spectacle of punishment in the UK, In Glenn Hooper and John J.J. Lennon (eds), Dark Tourism. Practice and Interpretation: 40–54, Routledge, Abingdon.

  5. 5.

    Film noir referred to a genre of film that appeared in France in the 1940s. The films were typically “pulp fiction” thrillers that derived an aesthetic distinction in the eyes of intellectuals from their sharp, laconic dialogue, and black and white photography that used lighting and camera angles to create a shadowed, claustrophobic atmosphere, lending them an introspective alterity, different from the typical fast-moving, all-action thrillers of Hollywood. Alfred Hitchcock was the great mascot of film noir directors.

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Seaton, T., Dann, G.M.S. (2018). Crime, Punishment, and Dark Tourism: The Carnivalesque Spectacles of the English Judicial System. In: R. Stone, P., Hartmann, R., Seaton, T., Sharpley, R., White, L. (eds) The Palgrave Handbook of Dark Tourism Studies. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-47566-4_2

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  • DOI: https://doi.org/10.1057/978-1-137-47566-4_2

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