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Narco Cinema pp 157-163 | Cite as

Postscript: From Culiacán to Cannes

  • Ryan Rashotte
Part of the Latino Pop Culture book series (LPC)

Abstract

Quitting narco cinema has meant the most gorgeously pangfree break with any of the addictions I’ve had to curtail along my 15-year journey from eternal youth to premature grey. On the obsessive-compulsive meter aligning my nervous system, the films rank somewhere in the busy middle: just above cinnamon nicotine gum, but still several notches below tutti frutti nicotine gum. Three weeks clean, the cravings have been manageable and particular, and the tricks of self-delusion largely inoffensive. As for no longer having to write about narco cinema, let me say how wonderful the release is when every second page no longer brings a new moustache to describe.

Keywords

Film Festival American Cinema Free Break Arly Motive Artistic Merit 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Notes

  1. 2.
    Damarys Ocaña, “Narco Cinema Rises.” Poder 360 (2011).Google Scholar

Copyright information

© Ryan Rashotte 2015

Authors and Affiliations

  • Ryan Rashotte

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