E.M. Forster and the War’s Colonial Aspect
Abstract
In October 1915, K.E. Royds, a Red Cross Relief worker, sailed through the Strait of Gibraltar and through the Mediterranean to Salonika. Her diary records the African coast, “an unknown world” no more than “a grey outline,” “dim in the morning mist.” “This is really heavenly! But there is nothing to say about it,” notes Royds.1 On past Algiers seen in moonlight, “an unsubstantial faery thing,” and through Malta’s “narrow streets (some up steps) with overhanging balconies, and Eastern looking shops,” Royds arrives in Salonika and its “Turkish quarter” with “overhanging windows … narrow-latticed shutters … the harems, the gardens green, but enclosed with high walls.”2 Royds, a war worker, writes while en route to a Greek city occupied by both British and French troops stationed there to support the Serbs in their fight for survival against invasion by German, Austro-Hungarian, and Bulgarian troops.3 By spring 1916, the infamous Serbian retreat would have seen losses of around 200,000 troops and civilians.4 Across the Aegean Sea, British, French, Indian, and ANZAC soldiers still fought in the disastrous Gallipoli campaign at the cost of some 250,000 casualties on the Allied side alone.5 Yet Royds’s production of the exotic and the picturesque comes straight from the writings of Victorian and Edwardian travelers, such as Isabel Burton, Florence Nightingale, or Amelia Edwards. It is not that Royds is either ignorant or nave; she comments in the very same entry on the bad news from the Serbian war zone that “it is hard to realize what is happening north, above the hills.”6 Neither is she atypical. For Royds and many others, whether soldiers or non-combatants, the war was an opportunity to travel on the edges of Europe’s borders and beyond.7
Keywords
Middle East Military Hospital Original Letter Wounded Soldier Arabian DesertPreview
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Notes
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