Supernatural, Humanity, and the Soul pp 53-65 | Cite as
“We’re Justchrw… Food and Perverse Entertainment”: Supernatural’s New God and the Narrative Objectification of Sam and Dean
Abstract
Over the course of Supernatural’s first five seasons, Sam (Jared Padalecki) and Dean (Jensen Ackles) Winchester fight for the right to tell their own story, to maintain the integrity of their own narrative, despite the pressures of their past and the many forces moving to ensure their participation in a single, possible future. For the brothers, this desire to resist objectification, to avoid becoming mere characters in someone else’s story—brought into even sharper relief after the events of “The Monster at the End of This Book” (4.18)—ultimately affords them the narrative agency they need to subvert the Apocalypse. However, this flash of authorial self-control is quickly disrupted by an unexpected source: the Winchesters’ greatest ally, their savior, their friend—the angel Castiel (Misha Collins).
Keywords
Mere Character Destructive Potential Sharp Relief Loyal Ally Transformative WorkPreview
Unable to display preview. Download preview PDF.
Works Cited
- “Caged Heat.” Supernatural: The Complete Sixth Season. Writ. Brett Matthews. Dir. Robert Singer. Warner Brothers, 2010. DVD.Google Scholar
- Chan, Suzette. “Supernatural Bodies: Writing Subjugation and Resistance onto Sam and Dean Winchester.” Transformative Works and Cultures 4 (2012). n. pag. Web. 20 Sept. 2012.Google Scholar
- Corder, Jim W. “Argument as Emergence, Rhetoric as Love.” Rhetoric Review 4:1 (1985). 16–32. Print.CrossRefGoogle Scholar
- Foucault, Michel. Discipline and Punish. New York: Vintage, 1991. Print.Google Scholar
- Foucault, Michel The History of Sexuality. Volume 1: An Introduction. New York: Vintage, 1990. Print.Google Scholar
- “The French Mistake.” Supernatural: The Complete Sixth Season. Writ. Ben Edlund. Dir. Charles Beeson. Warner Brothers, 2010. DVD.Google Scholar
- Gray, Melissa. “From Canon to Fanon and Back Again: The Epic Journey of Supernatural and its Fans.” Transformative Works and Cultures 4 (2010). n. pag. Web. 13 Aug. 2013.Google Scholar
- “It’s a Terrible Life.” Supernatural: The Complete Fourth Season. Writ. Sera Gamble. Dir. James L. Conway. Warner Brothers, 2008. DVD.Google Scholar
- “The Man Who Knew Too Much.” Supernatural: The Complete Sixth Season. Writ. Eric Kripke. Dir. Robert Singer. Warner Brothers, 2010. DVD.Google Scholar
- “The Man Who Would Be King.” Supernatural: The Complete Sixth Season. Writ. Ben Edlund. Dir. Ben Edlund. Warner Brothers, 2010. DVD.Google Scholar
- “The Monster at the End of This Book.” Supernatural: The Complete Fourth Season. Writ. Eric Kripke and Julie Siege. Dir. Mark Rahl. Warner Brothers, 2008. DVD.Google Scholar
- Muckelbauer, John. The Future of Invention: Rhetoric, Postmodernism, and the Problem of Change. Albany: State U of New York P, 2008. Print.Google Scholar
- “My Heart Will Go On.” Supernatural: The Complete Sixth Season. Writ. Eric Charmelo and Nicole Snyder. Dir. Phil Sgriccia. Warner Brothers, 2010. DVD.Google Scholar
- “Of Grave Importance. Supernatural: The Complete Seventh Season. Writ. Brad Buckner and Eugenie Ross-Leming. Dir. Tim Andrew. Warner Brothers, 2011. DVD.Google Scholar
- “The Song Remains The Same.” Supernatural: The Complete Fifth Season. Writ. Sera Gamble and Nancy Weiner. Dir. Steven Boyum. CBS, 2009. DVD.Google Scholar
- “Swan Song.” Supernatural: The Complete Fifth Season. Writ. Eric Kripke. Dir. Steve Boyum. Warner Brothers, 2009. DVD.Google Scholar
- “Sympathy for the Devil.” Supernatural: The Complete Fifth Season. Writ. Eric Kripke. Dir. Robert Singer. Warner Brothers, 2009. DVD.Google Scholar
- “The Third Man.” Supernatural: The Complete Sixth Season. Writ. Ben Edlund. Dir. Bob Singer. Warner Brothers, 2010. DVD.Google Scholar