Memory and Narrative: Ruins, Nostalgia, and Ghosts

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See also Jacqueline Vanhoutte, “Denmark’s Rotting Reconsidered,” Philological Quarterly 91.3 (2012): 395. “Hamlet’s representations of inwardness, often associated with the play’s turn to the future, are the product of its engagement with a disease from the past, or, to be more specific, with this disease [leprosy] as past.” Vanhoutte writes how “the disease of the past assume[s] the additional burden of representing its troubled legacies” (410).Google Scholar

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Ibid., 87. “But [the changes in Eastern bloc regimes] is not an exact parallel, for the statues of Stalin (for example) were of recent vintage, and even those who erected them were familiar with the language of the image-breakers and the vulnerability of public icons of this kind.” Margaret Aston, “Iconoclasm in England: Official and Clandestine,” in Iconoclasm versus Art and Drama, ed. Clifford Davidson and Ann Nichols (Kalamazoo, MI: Medieval Institute, 1989), 55, 65.Google Scholar

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Ibid., 67. “Waste is an ironic testimonial to a desire to forget.” Myra J. Hird, “Knowing Waste: Towards an Inhuman Epistemology,” Social Epistemology: A Journal of Knowledge, Culture and Policy 26.3–4 (2012): 455.Google Scholar

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