Armenia

  • Carl Wilson

Abstract

After Armenia was incorporated into the Soviet Union in 1922, the centralized government formed the Armenian Film Foundation in 1923. With the establishment of Armenfilm (Hayfilm) studios in the same year, Armenian cinema began to flourish until the onset of World War II, when production declined. After the resurgence and revitalization of Hayfilm in the late 1950s, the film industry again began to increase its momentum. Receiving their orders from the Central Television of the USSR, and in collaboration with Mosfilm, the largest and most significant studio in Russia and Europe at the time, the Armenian film industry eventually grew to regularly release six to seven feature-length movies a year during the 1980s. However, with the collapse of the Soviet Union in the 1990s, and Armenia declaring full independence in 1991, Armenia encountered severe economic difficulties, which impacted significantly upon their film industry. According to Peter Rollberg, the funds allocated by the Armenian government were ‘barely sufficient to pay salaries and maintain the rapidly aging, underused equipment’ (Rollberg 2009).

Keywords

Fairy Tale Film Industry Film Festival Full Independence Academy Award 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Bugrova, O. 2008. ‘“Rusalka” (“Mermaid”)–Russian Film is the Prize Winner of the Berlin Film Festival’, Voice of Russia [Online]. Available at: http://voiceofrussia.com/2008/03/26/184389/ (accessed 10 November 2013).Google Scholar
  2. Drubek-Meyer, N., and B. Lange. 2009. ‘The Splendor and Misery of the Little Mermaid: Roundtable on Anna Melikyan’s “Rusalka” (Introduction)’, ART margins Online [Online]. Available at: http://www.artmargins.com/index.php/the-splendor-and-misery-of-thelittle-mermaid-roundtable-on-anna-melikyans-qrusalkaq (accessed 10 November 2013).Google Scholar
  3. Kamenev, M. 2008. ‘Sundance Contender’, Moscow Times [Online]. Available at: http://www.themoscowtimes.com/arts_n_ideas/article/sundance-contender/356186.html (accessed 10 November 2013).Google Scholar
  4. KIN’ Women’s International Film Festival [Online]. 2013. Available at: http://kinfestival.com (accessed 10 November 2013).
  5. Moscow News [Online]. 2008. ‘Cinema–Russia Selects Anna Melikyan’s Rusalka to Enter 2009 Oscars’. Available at: http://themoscownews.com/arts/20080925/55347989.html (accessed 10 November 2013).Google Scholar
  6. Ohanyan, M. 2013. ‘Re: Anna Melikyan and Armenian Female Filmmakers’. Email to C. Wilson (carl.wilson@sheffcol.ac.uk), 14 October.Google Scholar
  7. Rollberg, P. 2009. ‘Armenfilm studio (Hayfilm)’, Historical Dictionary of Russian and Soviet Cinema. Plymouth: Scarecrow Press.Google Scholar
  8. Russian Film Symposium. 2005. ‘Program Notes: Mars’, the yellow house of cinema [Online]. Available at: http://www.rusfilm.pitt.edu/2005/pn/mars.htm (accessed 10 November 2013).Google Scholar
  9. Talvio, R. 2013. ‘Re: Ethics in Screenwriting’. Email to the Screenwriting Research Network (screenwriting-research-network@jiscmail.ac.uk), 12 March.Google Scholar

Copyright information

© Carl Wilson 2015

Authors and Affiliations

  • Carl Wilson

There are no affiliations available

Personalised recommendations