Abstract
Naipaul’s Caribbean comedies published in successive years—The Mystic Masseur (1957), The Suffrage of Elvira (1958), and Miguel Street (1959)—differ markedly in tone and subject matter from his prose of the subsequent decade, beginning with the Hardyesque A House for Mr. Biswas (1961) and concluding with the historical scope of The Loss of El Dorado (1969).
Keywords
Safe Home British Empire Punch Line Liberal Opinion Travel Writing
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© Imraan Coovadia 2009