Cultural Baggage: the Genteel World
Chapter
Abstract
Let us begin with three drawing rooms of the 1830s-1840s, images by amateur or vernacular artists. An extended family occupies each room. Older members sit, though in a horizontal hierarchy showing the least important characters at the margins of each family and its picture. All the characters wear up-to-date clothes and hair styles; the furniture varies in fashionability. With no further information it is impossible to locate any of these images to a particular geography other than the generalized ‘European’.
Keywords
Nineteenth Century Middle Class Cultural Capital Early Nineteenth Century Symbolic Capital
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
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Notes
- 1.Charlotte Bosanquet, The drawing room of Admiral Bosanquet at Clay Hill, Enfield, 1843, watercolour: Ashmolean Museum; Anon (possibly Edward Hawkins), Interior, New South Wales, c.1830, pencil sketch, Mitchell Library, Sydney; Auguste Edouart, A New York family, 1842, silhouette, Winterthur Museum, Delaware.Google Scholar
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© Linda Young 2003