Called to Be Saints and Seek and Find

  • Lynda Palazzo
Part of the Cross-Currents in Religion and Culture book series (CCRC)

Abstract

Rossetti’s next work of devotional prose, Called to Be Saints, although not published until 1881 was written before 1876, following close on the heels of Annus Domini. There is much similarity in their underlying theological understanding, and in it we can see Rossetti continue to construct her own theological models. As a development of the naming activity of the earlier volume, Rossetti takes biblical characters for development, choosing ‘the nineteen saints commemorated by name in our Book of Common Prayer, with the Holy Innocents neither named nor numbered, with St. Michael and his cloud of All Angels, with All Saints’ (from the section entitled ‘The Key to my Book’, p. xiii). With due regard for the inspired text and its sacred associations, which flow in and out through the margins of the text as a mirror to her discourse, Rossetti paints a portrait of Christ’s friends as social beings: living, loving, teaching and, ultimately, reversing the process of suffering and death through identification with the life-giving power of Christ.

Keywords

Natural World Christian Theology Sacred Object Feminist Theology Divine Wisdom 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Notes

  1. 12.
    A.H. Harrison, Christina Rossetti in Context (Brighton: Harvester Press, 1988), p. 31.Google Scholar
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    J. Ruskin, Modem Painters, 5 vols (London: George Allen, 1900), vol. I, p. 30.Google Scholar
  3. 14.
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    Carol P. Christ, Rebirth of the Goddess: Finding Meaning in Feminist Spirituality (Reading, Mass.: Addison-Wesley, 1997), p. 135.Google Scholar
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    See Mary Arseneau and Jan Marsh, ‘Intertextuality and Intratextuality: The Full Text of Christina Rossetti’s “Harmony on First Corinthians XIII” Restored’, VN 88 (Fall 1995), pp. 17–26.Google Scholar
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    A romanticised view of nature has been seen by ecofeminists as sinister, abusive and patriarchal. See Chaia Heller, ‘For the Love of Nature: Ecology and the Cult of the Romantic’, Ecofeminism: Women, Animals, Nature, ed. Greta Gaard (Philadelphia: Temple University Press, 1993), pp. 219–42.Google Scholar

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© Lynda Palazzo 2002

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  • Lynda Palazzo

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