Between Good and Evil: Religion and the Romantic Vision

  • Glen Creeber

Abstract

‘When I was a boy’, Jack Black declares in Follow the Yellow Brick Road (1972), ‘ … I thought God was watching me all the time, every minute of the day.’ (Muller, 1973, p.330) As a sick and neurotic adult, however, he desperately prays to God for a ‘sign’, but receives only the word — ‘Slime’ (p.332). This answer is a clear symbol of the painful repulsion he now feels towards an increasingly secular world. Often overlooked by critics, the role of religion and the desperate quest for spiritual salvation is one of the central concerns of Potter’s work. Reflecting Modernism’s search for meaning in a Godless universe his characters constantly grapple for a form of personal redemption in a world which offers little certainty other than the always ‘implacable presence of death itself’ (Potter, 1984, p.20). His central protagonists continually turn in desperation to a God who is either missing or simply unable or unwilling to answer. Yet they never truly give up yearning for a ‘religious’ sense of the universe — a sense they first experienced as a child.

Keywords

Religious Experience Christian Belief Daily Mail Creative Imagination Daily Telegraph 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Notes

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Copyright information

© Glen Creeber 1998

Authors and Affiliations

  • Glen Creeber

There are no affiliations available

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