The First Arab Performances

  • Khalid Amine
  • Marvin Carlson
Part of the Studies in International Performance book series (STUDINPERF)

Abstract

Although a few Arabs attended the European theatres in Tunisia and Algeria, mostly those connected to the staffs of the French bureaucracy, these cultural institutions remained largely supported by and for the benefit of the European population in these countries. A substantial and ongoing theatre for the majority Arab public did not appear in any part of the Maghreb until the opening years of the nineteenth century, then inspired by a mixture of municipal pride, colonial concerns, local interest, and, perhaps most importantly, tours of pioneering Arab theatre companies from Egypt.

Keywords

Jewish Community Sexual Prejudice Arabic Version Egyptian Company European Theatre 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Notes

  1. 1.
    Shmuel Moreh and Philip Sadgrove, Jewish Contributions to Nineteenth-Century Arabic Theatre (Oxford: Oxford University Press, 1996).Google Scholar
  2. 11.
    Najib Al-Haddad, Riwayat Salah El-Din Al-Ayoubi (The Story of Salah El-Din Al-Ayoubi), 3rd edn (Beirut: Maktabat Sader, 1929), 4.Google Scholar
  3. 17.
    Ahmed Cheniki, Le Théâtre en Algérie: Histoire et enjeux (Aix-en-Province: Edisud, 2002), 17.Google Scholar
  4. 18.
    Mahboub Stambouli, “Regards sur le théâtre Algérian,” Amal (Promesses) (March 1976).Google Scholar
  5. 19.
    C. R. Pennel, Morocco Since 1830: A History (London: C. Hurst, 2000), 152.Google Scholar

Copyright information

© Khalid Amine & Marvin Carlson 2012

Authors and Affiliations

  • Khalid Amine
    • 1
  • Marvin Carlson
    • 2
  1. 1.Abdelmalek Essaadi UniversityMorocco
  2. 2.The Graduate CenterCity University of New YorkUSA

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