Catholic Figures, Queer Narratives pp 19-32 | Cite as
Queer Converts: Peculiar Pleasures and Subtle Antinomianism
Abstract
This catechumen manqué is, of course, Dorian Gray. Midway through his Gothic novel, Wilde anatomized in Augustinian fashion his young seeker’s degradation: not by a luridly minute inventory of sexual exploits (as Huysmans had done a few years previously in the character of Des Esseintes), but by a more mundane though not less material accumulation: Dorian’s collections of perfumes, exotic musical instruments, jewels, embroideries, and finally, ecclesiastical vestments. While it would likely have repulsed and horrified Victorian readers’ evangelical sensibilities, Dorian’s exploration of forms of “high church” Catholicism is a spiritual journey into a kind of transcendental hedonism: “For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape for a season, from the fear that seemed to him at times to be almost too great to be borne” (Wilde 140).
Keywords
Sexual Dissident Spiritual Journey Moral Theology Parish Priest Queer PeoplePreview
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Notes
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