Epilogue: Continuous Movement

  • Sonja Arsham Kuftinec
Part of the Studies in International Performance book series (STUDINPERF)

Abstract

May 2008: I am in Los Angeles visiting Wesley Days. Before his class on capoeira and facilitation, I wander through the University’s campus where I discover yet another checkpoint scene. A Palestinian student coalition has set up this mobile scenario; it is, in my estimation, a crude and excessive representation. The ‘guards’ here bear their guns menacingly, waving them in the faces of submissive ‘Palestinians’, reiterating an extreme projection of the oppressor/oppressed narrative that limits transformation. YetI find myself defending the image when a witnessing student contests it: ‘That’s not what happens. The soldiers don’t hold their guns in your face like gangsters.’ I get caught up in his provocation, the need to prove my own (limited) experiential knowledge. ‘Yes, they do. Sometimes they do. I’ve been there.’ And I have, but I have not seen anything like this image. I just combat his energy with a rebuttal. We argue back and forth, rooting our point of view in fragmented experiences and narrow ideology.

Keywords

Middle East Performance Study International Relation Nation Formation American Family 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Copyright information

© Sonja Arsham Kuftinec 2009

Authors and Affiliations

  • Sonja Arsham Kuftinec

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