In The Emergence of Social Space, Kristin Ross examines the cultural movement in and on the peripheries of the Paris Commune — an oppositional culture that consists of political language, postures, values and strategies. Employing a close textual analysis, Ross considers Rimbaud’s poetry contextually as one aspect among others in the experience of an entire generation of Communards, using it to examine developments in the history of geography, anthropology, worker’s culture. political theory and aesthetics. She demonstrates that the very notion of ‘social space’ emerges as one of the by-products of the Commune and that it leads to a far-reaching rethinking of social and cultural strategies. In so doing she also examines shifts in the conception of work and the role these play as textual operators in significant poetic and theoretical texts of the day and, indeed, of subsequent periods.
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Notes
The one notable exception is Steve Murphy, in his ‘Rimbaud et la Commune?’. In Alain Borer (ed.), Rimbaud Multiple. Coloque de Cérisy (Gourdon: Bedou & Touzot, 1985), pp. 50–65. I came across Murphy’s very valuable and erudite research as I was completing this book; although our arguments and findings frequently overlap, Murphy’s goal, as I take it, to enhance explications of particular poems by Rimbaud, is more circumscribed than mine.
Roland Barthes, ‘Nautilus et Bateau ivre’, Mythologies (Paris: Seuil, 1957), p. 91.
Alfred Delvau, Dictionnuaire de la langue verte (Paris: Marpon & Flammarion, 1883), p. 87.
Gustave-Paul Cluseret, Mémoires du général Cluseret, vol. II (Paris: Jules Levy, 1887); citations taken from pp. 274–87.
Louis Rossel, Mémoires, procès et correspondance (Paris: J. J. Pauvert, 1960), p. 276.
Catulle Mendès, Les 73 Journées de la Commune (Paris: E. Lachaud, 1871), p. 311.
Auguste Blanqui, Instructions pour une prise d’armes (Paris: Editions de la tête de feuilles, 1972), 61.
Friedrich Engels, introduction to Karl Marx and V. I. Lenin, The Civil War in France: The Paris Commune (New York: International Publishers, 1940), p. 18.
Pierre Gascar, Rimbaud et la Commune (Paris: Gallimard, 1971), p. 66.
See Henri Lefebvre, La Proclamation de la Commune (Paris: Gallimard, 1965).
reprinted in Gil Wolman, Résumé des chapitres précédents (Paris: Editions Spiess, 1981), pp. 46–53;
Stewart Edwards (ed.), The Communards of Paris, 1871, (Ithaca, NY: Cornell University Press, 1973) pp. 9–10.
Félix Fénéon, ‘Arthur Rimbaud: Les Illuminations’, in Joan Halperin (ed.), Oeuvres plus que complètes, vol. II (Geneva: Massot, 1970), p. 572.
Leo Bersani, ‘Rimbaud’s Simplicity’, in A Future for Astyanax: Character and Desire in Literature (Boston: Little, Brown, 1976), p. 247.
Edwards (ed.), The Communards of Paris, 1871, p. 10.
Stephane Mallarmé, Oeurves complèetes, ed. Henri Mondor and G. Jean-Aubry (Paris: Gallimard, 1945), p. 518.
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Heath, S., MacCabe, C., Riley, D. (2004). Kristin Ross, The Emergence of Social Space: Rimbaud and the Paris Commune (1988). In: Heath, S., MacCabe, C., Riley, D. (eds) The Language, Discourse, Society Reader. Language, Discourse, Society. Palgrave Macmillan, London. https://doi.org/10.1057/9780230213340_12
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