Spellbound in Darkness

Shyamalan’s Epistemological Twitch
  • David Sterritt

Abstract

Many a critic has observed that the films of M. Night Shyamalan don’t always make narrative sense, even by the generous standards of the horror and fantasy genres. I noted one amusing example in my review of Signs, his space-monster fantasy of 2002: how did the invading aliens manage to arrive on Earth, set up an invisible shield in the sky, and massacre an untold number of humans around the globe, when they’re so physically weak and mentally mushy that a mild-mannered veterinarian (played by the filmmaker) can imprison one in his kitchen cupboard? Another conundrum in the same movie was widely noted in reviews: if water is kryptonite to the aliens, for what conceivable reason would they invade a planet where H2O is almost everywhere?

Keywords

Symbolic Order Magical Thinking Sixth Sense Horror Film Puppet Show 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Works Cited

  1. Arendt, Hannah. Eichmann in Jerusalem: A Report on the Banality of Evil. New York: Viking Press, 1964.Google Scholar
  2. Bly, Robert. Iron Men: A Book about Men. Rev. ed. New York: Da Capo Press, 2004.Google Scholar
  3. Cohan, Steven. Masked Men: Masculinity and Movies in the Fifties. Bloomington: Indiana UP, 1997.Google Scholar
  4. Cohen, Steven, and Ina Rae Hark, eds. Screening the Male: Exploring Masculinities in Hollywood Cinema. New York: Routledge, 1993.Google Scholar
  5. Elsaesser, Thomas. “Tales of Sound and Fury: Observations on the Family Melodrama.” Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film. Ed. Christine Gledhill. London: British Film Institute, 1987. 43–69.Google Scholar
  6. Humphries, Stephen. “A Different Take.” The Christian Science Monitor. 28 July 2004. Web. 01 Oct. 2008.Google Scholar
  7. Jameson, Fredric. The Cultural Turn: Selected Writings on the Postmodern, 1983–1998. London: Verso, 1998.Google Scholar
  8. Jeffords, Susan. Hard Bodies: Hollywood Masculinity in the Reagan Era. New Brunswick, NJ: Rutgers UP, 1994.Google Scholar
  9. Kolker, Robert. A Cinema of loneliness. 3rd ed. Oxford: Oxford UP, 2000.Google Scholar
  10. Lasch, Christopher. The Culture of Narcissism: American life in an Age of Diminishing Expectations. New York: W. W. Norton, 1978.Google Scholar
  11. Mansfield, Harvey C. Manliness. New Haven, CT: Yale UP, 2006.Google Scholar
  12. Morris, Matt, and Tom Morris. Superheroes and Philosophy: Truth, Justice, and the Socratic Way. Chicago: Open Court, 2005.Google Scholar
  13. Sommers, Christina Hoff. Who Stole Feminism?. New York: Simon & Schuster, 1995.Google Scholar
  14. Wilson, Colin. The Outsider. [1956]. New York: Putnam, 1982.Google Scholar

Copyright information

© Jeffrey Andrew Weinstock 2010

Authors and Affiliations

  • David Sterritt

There are no affiliations available

Personalised recommendations