Abstract
This chapter offers a broad critical history of Joycean betrayal, setting out the standard critical model as offering an “unsatisfying recurrence” in which Joyce’s interest in betrayal is “pathologized” as an “obsession.” Betrayal is defined in terms that Joyce would recognize and Joyce’s interest in betrayal is depicted as specifically an interest in a certain form of narrative or dramatic structure.
Keywords
Jewish Identity Moral Courage Racial Flaw Dublin Diary Home Rule
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
References
- Beja, Morris. 1992. James Joyce: A Literary Life. Columbus: University of Ohio Press.CrossRefGoogle Scholar
- Benstock, Bernard. 1978. The Undiscovered Country. New York: Barnes and Noble.Google Scholar
- Bevis, Matthew. 2007. The Art of Eloquence: Byron, Dickens, Tennyson, Joyce. Oxford: Oxford University Press.CrossRefGoogle Scholar
- Boldrini, Lucia. 2009. Joyce, Dante, and the Poetics of Literary Relations: Language and Meaning in “Finnegans Wake”. Cambridge: Cambridge University Press.Google Scholar
- Bolt, Sydney. 2000. A Preface to James Joyce. London: Routledge.Google Scholar
- Bowen, Zack. 1974. Musical Allusions in the Works of James Joyce. Buffalo: State University of New York.Google Scholar
- Brivic, Sheldon. 1995. Joyce’s Waking Women: Introduction to “Finnegans Wake”. Madison, WI: University of Wisconson Press.Google Scholar
- Brunsdale, Mitzi M. 1993. James Joyce: A Study of the Short Fiction. New York: Twayne.Google Scholar
- Bulson, Eric. 2006. Cambridge Introduction to James Joyce. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
- Cixous, Hélène. 1980. The Exile of James Joyce. London: Calder Books.Google Scholar
- Conner, Marc C., ed. 2012. The Poetry of James Joyce Reconsidered. Gainesville: University Press of Florida.Google Scholar
- Conrad, Joseph. 1957. Under Western Eyes. Harmondsworth: Penguin.Google Scholar
- Connor, Steven. 1996. James Joyce. London: Northcote House.Google Scholar
- Cotter, David. 2003. James Joyce and the Perverse Ideal. London: Routledge.Google Scholar
- Davies, Stan Gebler. 1975. James Joyce: A Portrait of the Artist. London: HarperCollins.Google Scholar
- Davison, Neil R. 1996. James Joyce, “Ulysses,” and the Construction of Jewish Identity: Culture, Biography, and “the Jew” in Modernist Europe. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
- ———. 1992. Introduction to Finnegans Wake. Edited by James Joyce, v–lii. Harmondsworth: Penguin.Google Scholar
- ———. 2004. Joyce the Irishman. In Cambridge Companion to James Joyce, ed. Derek Attridge, 31–51. Cambridge: Cambridge University Press, 2004.Google Scholar
- Deming, Robert. 1987. James Joyce: The Critical Heritage, vol. 1, 1901–27. London: Routledge.Google Scholar
- Devault, Christopher. 2013. Joyce’s Love Stories. Farnham: Ashgate.Google Scholar
- Eide, Marian. 2002. Ethical Joyce. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
- Ellmann, Richard. 1972. Ulysses on the Liffey. Oxford: Oxford University Press.Google Scholar
- ———. 1977. The Consciousness of Joyce. Oxford: Oxford University Press.Google Scholar
- ———. 1982. James Joyce. Oxford: Oxford University Press.Google Scholar
- Fairhall, James. 1995. James Joyce and the Question of History. Cambridge: Cambridge University Press.Google Scholar
- Fogarty, Anne. 2006. Parnellism and the Politics of Memory: Revisiting “Ivy Day in the Committee Room.” In “Our Mixed Racings”: Joyce, Ireland, and Britain, ed. Andrew Gibson and Len Platt, 202–238. Gainesville: University Press of Florida.Google Scholar
- ———. 2006. James Joyce. London: Reaktion Books.Google Scholar
- ———. 2013. The Strong Spirit: History, Politics and Aesthetics in the Writings of James Joyce, 1898–1913. Oxford: Oxford University Press.CrossRefGoogle Scholar
- Gifford, Don. 1992. Joyce Annotated. Los Angeles: University of California Press.Google Scholar
- Gottfried, Roy. 2008. Joyce’s Misbelief. Tallahassee: University of Florida Press.CrossRefGoogle Scholar
- Hampson, Robert. 1992. Joseph Conrad: Betrayal and Identity. London: Palgrave Macmillan.CrossRefGoogle Scholar
- Joyce, Stanislaus. 1973. Dublin Diary. Edited by George Harris Healey. Ithaca, NY: Cornell University Press.Google Scholar
- Joyce, Stanislaus. 2003. My Brother’s Keeper. Edited and Intro by Richard Ellmann, Preface by T. S. Eliot. Cambridge, MA: DaCapo Press.Google Scholar
- Levin, Harry. 1960. What was Modernism. Massachusetts Review 1.4: 609–30.Google Scholar
- ———. 1973.The Artist (1941). “Dubliners” and “A Portrait of the Artist as a Young Man”: A Casebook, ed. Morris Beja, 83–99. London: Palgrave Macmillan.Google Scholar
- Manganiello, Dominic. 1980. Joyce’s Politics. London: Routledge.Google Scholar
- Mendecino, Kristina, and Betiel Wasihun. 2013. Playing False: Representations of Betrayal. Frankfurt am Main: Peter Lang.Google Scholar
- Murphy, Sean P. 2003. James Joyce and Victims: Reading the Logic of Exclusion. Madison, NJ: Fairleigh University Press.Google Scholar
- Nash, John. 2010. James Joyce and the Act of Reception: Reading, Ireland, Modernism. Cambridge: Cambridge University Press.Google Scholar
- Parrinder, Patrick. 1984. James Joyce. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
- ———. 2011. James Joyce: Texts and Contexts. London: Continuum.Google Scholar
- Riquelme, John Paul. 2011. Desire, Freedom, and Confessional Culture in A Portrait of the Artist as a Young Man. In A Companion to James Joyce, ed. Richard Brown, 34–53. London: Wiley-Blackwell.Google Scholar
- ———. 2002. James Joyce: A Short Introduction. London: Wiley-Blackwell.CrossRefGoogle Scholar
- Spinks, Lee. 2009. James Joyce: A Critical Guide. Edinburgh: University of Edinburgh Press.CrossRefGoogle Scholar
- Thornton, Weldon. 1961. Allusions in “Ulysses”: An Annotated List. Chapel Hill: University of North Carolina Press.Google Scholar
- Tindall, William York. 1995. A Reader’s Guide to James Joyce. Syracuse: Syracuse University Press. First published in 1959 by the Noonday Press.Google Scholar
- Utell, Janine. 2010. James Joyce and the Revolt of Love: Marriage, Adultery, Desire. New York: Palgrave MacMillan.CrossRefGoogle Scholar
- Valente, Joseph. 1995. James Joyce and the Problem of Justice: Negotiating Sexual and Colonial Difference. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
- ———. 1998. Quare Joyce. Michigan: University of Michigan Press.CrossRefGoogle Scholar
- ———. 2000. “Neither fish nor flesh” or How “Cyclops” Stages the Double-Bind of Irish Manhood. In Semicolonial Joyce, ed. Derek Attridge and Marjorie Howes, 96–127. Cambridge: Cambridge University Press, 2000.Google Scholar
- ———. The Myth of Manliness in Irish National Culture, 1800–1922. Chicago: University of Chicago Press.Google Scholar
- Wells, H. G. 1917. Review of A Portrait of the Artist as a Young Man by James Joyce. New Republic, 10 March.Google Scholar
- Wollaeger, Mark, ed. 2003. James Joyce’s “A Portrait of the Artist as a Young Man”: A Casebook. Oxford: Oxford University Press.Google Scholar
- Wyse Jackson, John, and Peter Costello. 1998. John Stanislaus Joyce: The Voluminous Life and Genius of James Joyce’s Father. London: Fourth Estate.Google Scholar
Copyright information
© The Author(s) 2016