The chapter traces, through a recomposition of ‘oblique lines’, two scenes in the Brazilian uprising where ‘Orphic socialities’ become discernible. The crowd is able to preserve something: itself or things that matter. In the first scene, by appealing to a kind of rhythmic hyperfaculty, someone is able to contain the movement of a crowd of tens of thousands, and their despair in re-living scenes of violence that transport them to the times of the military dictatorship. In the second scene, the crowd acts to protect a monument dedicated to the memory of Zumbi, a warrior of the Quilombo dos Palmares, decapitated in 1695.
- Benjamin, J. (1988). The bonds of love. New York: Pantheon.Google Scholar
- Ferenczi, S. (1923). The dream of the ‘Clever Baby.’ Further contributions to the theory and technique of psycho-analysis (trans: Suttie, J. I., pp. 349–350). London: Karnac, 1994.Google Scholar
- Ferenczi, S. (1932a). The clinical diary of Sándor Ferenczi (trans: Balint, M. & Jackson, N. Z.). Cambridge, MA: Harvard University Press, 1988.Google Scholar
- Guattari, F. (2011). The machinic unconscious: Essays in schizoanalysis (trans: Adkins, T.). Los Angeles: Semiotext(e).Google Scholar
- Soares, M. C. (1999). Nos atalhos da memória – Monumento a Zumbi. In P. Knauss (Ed.), Cidade vaidosa: imagens urbanas do Rio de Janeiro. Rio de Janeiro: 7Letras.Google Scholar